It counts everyone, and everyone counts in it – that’s the point of the census. For Southwark’s current communities, an accurate census means accurate population data, which means funding for vital services like schools, transport, and doctors’ surgeries. But for people in the future, the census is a treasure trove of information on individuals, families, households, and communities – one that lets family historians re-trace family connections through the ages and helps explain how the neighbourhood populations of London’s most historic borough have changed through nearly two centuries’ of time.
Every 10 years since 1801, the census has asked questions about the population of England and Wales and compiled information about the make-up of local neighbourhoods; data on individuals survives from 1841 onward. The personal information shared at every census is kept confidential for 100 years. After that, it’s open for the public to explore, and to learn about the life and times of their ancestors and those who lived in their communities in the past.
The census return is a list: of all the buildings in a given street, including unoccupied ones, and all the households within a given building. Separate returns exist for large institutions, like workhouses, hospitals, schools, and prisons. Each household’s return includes the people present there the night the census was taken; these may include visiting friends, lodgers, and even patients in hospital wards and prisoners in jail cells! The information collected about individuals varies with each census, but usually includes their name, birthplace, age on census night, occupation, and how they relate to others household members.
This information can be incredibly valuable for people interested in family, local, and social history. Tracing a person through the census shows them growing up; tracing an address shows how neighbourhoods change through the years. But it also provides unique insights. Answers to census questions on health, birthplace, and immigration shine a light on the diversity of Southwark’s residents – a diversity that often doesn’t show in other record collections. Questions about employment show how common child labour was in the past, and a host of occupations, from brushmaking to toshing, that no longer exist.
On a street or neighbourhood level, census information shows changes in environment and land usage, but questions about housing also show how values and norms have changed; over time, what counts as “overcrowded” or “sub-standard” residences vary a lot. Sometimes what you find is totally unexpected, like the 5 year old homeworker Roger Little of Dulwich – as the return explains, Roger was an Airedale Terrier, and his work was being the Little family’s watchdog.
But more than that, the census gives the future a snapshot of the past that includes everyone. The voices – and the silences – in the census send a message about who we are, where we live, and what we value. It can provide vital evidence of the problems we thought were important and how we sought to fix them. But it does something even more important: it ties all our individual stories together into the story of a place and a time. That gives people – now and in the future – a hook to hang their own stories on, an opportunity to belong somewhere and somewhen.
Taking part in the 2021 census is your chance to help future generations discover their past. By completing your census questionnaire on 21 March 2021 you leave your mark on history. And maybe that’s something your friends, family, and colleagues hadn’t thought about. So we hope you’ll encourage them to do their bit too.
Sometimes a historic moment plays out like a scene from a movie – think of the opening of Saving Private Ryan, for instance – but other times it’s as everyday as the change in your pocket.
Today is a moment in history that everyone in the country took part in, because 15 February 2021 is the 50th anniversary of D-Day. Not the D-Day shown in Saving Private Ryan, that opened the Battle of Normandy – that’s in June – but the day British currency went decimal.
To understand what that means, 50 years later, we have to dig into the foundations of British money, and those go a lot further back than you’d think. All the way to two of the Roman Empire’s coins, in fact: the silver denarius and the gold solidus.
The denarius was the main circulating coin of the Roman Empire for several hundred years, from the 3rd century BCE to the end of the western Empire in the late 3rd century CE. The solidus began circulation as the denarius stopped being minted, and continued being minted by the Byzantine Empire (as well as copies, known as dinars, minted by various Muslim Caliphates)well into the Middle Ages.
In the late 8th century CE, Charlemagne – whose empire spanned much of modern France, Germany, and northern Italy – revised coinage because of a shortage of gold in western Europe. The new coinage was based entirely on silver: a libra, or pound, of silver weighing a bit less than 500g would be divided into 240 denarii, each weighing about 21 grains. Although the denarius was the only coin in circulation, the solidus remained as a unit of accounting, with 12 denarii to the solidus.
The early English king Offa of Mercia adopted this system with slightly different weights – a “Tower pound” of about 350g, divided into 12 solidii (shillings) and 240 denarii, containing 1.5g of silver each. This system survived for centuries all over western Europe and beyond, and left its marks on languages all over the world.
The libragave us the name for a number of currencies, including “pound” and “lira” as well as the pound’s abbreviation: “£”.
The denarius’s name survives in the currency name “dinar” used by a number of countries in and around the Mediterranean; the Spanish, Italian, and Portuguese words for “money”; and the abbreviation for the smallest unit of British pre-decimal currency, “d”.
The solidus gave us “shilling” and “soldier”, since the Roman military’s pay came in the form of these coins, as well as “sou”, an obsolete French coin whose name still survives in French idioms relating to money.
Southwark is a part of the story of pounds, shillings, and pence; specifically, Suffolk Place, a 15th century mansion house that was rebuilt in 1522 by Henry VIII’s brother-in-law, Charles Brandon, 1st duke of Suffolk. The site is at the corner of the modern Borough High Street and Marshalsea Road. In 1536, Henry exchanged Norfolk Place on the Strand for Suffolk Place; nine years later, the site became a mint – a place where money was literally made. Although the house itself was demolished in 1557, it left its mark on the area – in the names Mint Street and Great Suffolk Street, and in the Liberty of the Mint, an area that was a notorious slum until the end of the 19th century.
The 19th century – some failed attempts
The £sd system, as it was known, was useful in terms of doing mental arithmetic with money, since 240 can be split into a large number of fractional pieces: halves, thirds, sixths, eighths, tenths, and twelfths (so unit-pricing dozens of things like eggs was easy). However, it was not easy to do basic addition on pounds, shillings, and pence, and that difficulty increased with the scale of the transaction. As foreign trade increased, having non-decimal currency became more and more unwieldy.
Efforts to change the system began as early as 1824. Another attempt in 1848 led to the introduction of the “florin”, a coin worth 1/10 of a pound – 24 old pence, or 2 shillings – which remained in circulation until 1993 interchangeably with decimal 10p coins. A final attempt to decimalise in the 19th century was scuppered when two members of the Royal Commission appointed to study the problem – the governor of the Bank of England and an executive of the London and Westminster Bank – stifled the idea.
The 1960s – pressure from international trade
By the last quarter of the 20th century, most countries had moved to decimal currency based on units of 10, making international trade significantly more complicated for those countries which still held to the £sd system (generally, those in the Commonwealth). Starting with South Africa in 1962, these countries converted to a decimal based currency: most followed South Africa’s lead in creating a new currency unit equal in value to 10 shillings, or exactly half of a £sd pound.
In 1961, the UK government set up the Halbury Committee to study and report on decimalisation; its report, presented in 1963 and adopted in 1966, noted that the British pound’s value on the foreign exchange market meant that the new currency approach wasn’t feasible. Instead, the pound and its value was retained, but the number of sub-units to the pound was slashed from 240 to 100 – so the value of the new penny was 2.4 pre-decimal pence. In 1969, the Decimal Currency Act came into force, starting the conversion process.
Decimal coins valued at 5p and 10p – the same size and value as the 1 and 2 shillings coins they replaced – entered circulation in April 1968. A 50p coin followed in October 1969, with its predecessor the 10-shilling note being removed from circulation shortly thereafter. The pre-decimal halfpenny and half-crown (worth 2 shillings 6 pence, or 1/8 of a pound) were withdrawn by the end of 1969.
1971 – D day finally comes
Banks closed at 3:30 PM on Wednesday 10 February 1971, and remained shut until 10 AM on Monday 15 February 1971: Decimal Day. February was chosen because it was the least-busy time of year for banks, transport, and retail; the closure allowed for the distribution of stocks of new coins, processing of outstanding cheques and credits in the clearing system, and the conversion of account balances to decimal – the latter task mostly done manually!
The run-up to decimalisation put the conversion into the spotlight. In 1969 and 1970, increasing numbers of retailers priced goods in both currencies, which probably helped cushion the change and cement new values in shoppers’ heads. Shoppers could get a rough idea of the pre-decimal value of a decimal price by doubling the new price and inserting a slash between the digits. For more exact conversions, shoppers’ guides, conversion tables, and specialist calculators between £sd and decimal values became increasingly familiar – the pen company Parker created a special edition of its Jotter pen with conversion tables in a window. Waddington’s even published a board game about decimal conversion!
The early weeks of 1971 saw a huge publicity campaign as D Day approached. Flyers, leaflets, and posters sprouted, as well as a song by Max Bygraves, a series of short films on the BBC, an ITV drama entitled Granny Gets the Point, and – on D Day itself – a special Merry-Go-Round broadcast for schools featuring Peter Firmin.
On the day, new ½p, 1p, and 2p coins entered circulation, and prices – while still in both currencies – featured decimal first. From D Day, shops still accepted old pre-decimal coins, but returned change in decimal currency — shoppers and travellers using 1d and 3d coins were asked to pay them in units of 6 old pence (equal to 2 ½p) to simplify converting change. Because of this, old 1d and 3d coins were out of circulation by the end of February 1971, and 6d coins were rare; 1d and 3d were officially withdrawn at the end of August 1971, ending the transition period.
But the story doesn’t end there. Popular protests – perhaps because of their central role in wedding lore – meant that 6d coins remained legal tender until 1980. Decimal halfpennies were demonetised at the end of 1984, since inflation had eroded their value. Shillings and florins remained in circulation alongside 5p and 10p coins until 1990 and 1993 respectively, when smaller versions of the decimal coins were released. A smaller 50p appeared in 1997; only 1p and 2p coins remain legal tender from D Day.
While exploring the history of Anti-Racism in Southwark (see our recent post for details), we came across a rich history of marching and protests. Documents and photographs held at Southwark Archives show local people and organisations rising up over the decades to fight for equality and human rights.
Campaigns against racism in the 1960s were established in the borough through the petitioning of Southwark and Bermondsey Trades Councils and Southwark Rotary Club, who led the call to launch what became the Southwark Council for Community Relations. Other early organisations include the West Indian League, set up in 1964 following the suicide of a young West Indian nurse at Lewisham hospital. The League aimed to combat loneliness for West Indians in London, and fight racial discrimination.
In the 1970s the Southwark Campaign Against Racialism and Fascism was set up and took to the streets of Walworth and elsewhere to stand up to the resurgent National Front. Socialist organisations and local branches of the Labour Party also took a prominent part in marching. In 1983 the Southwark Black Consortium was founded to represent the community voice at the new Southwark Race Equality Committee. Later, as Southwark Black Communities Consortium, the organisation ran large protest marches against racism in Peckham and Bermondsey. The Southwark Anti-Apartheid Group took the lead in marching against apartheid in South Africa, something reflected also by the council who declared ‘war on apartheid’ in 1984 and ran yearly Anti-Apartheid programming until the early 1990s.
The following is a selection of images found so far, please get in touch with us if you’d like to contribute further images or information.
This Black History Month at Southwark Archives we have been delving into our collections to try and discover more about the history of anti-racism at the council and in the community. Over the decades countless individuals have fought for equal rights, the removal of the colour bar, and against racism in its many forms, and there are many milestones along the continuing journey.
Pioneering community-led initiatives included: the work of Dr Harold Moody and the League of Coloured Peoples in the 1930s, among whose many achievements was the lifting of the colour bar in the armed forces; the West Indian League started in 1964 by George Croasdaile, who campaigned for racial equality and supported young people for over 30 years; and the Southwark Inter-Racial Council that became Southwark Council For Community Relations in 1966 and oversaw black and minority ethnic communities’ liaison with the borough over the following four decades.
The 1970s saw a rise in activity from the National Front and organisations rose up to protest against them including the Anti-Nazi League, Southwark Campaign Against Racialism and Fascism, and Southwark Black Communities Consortium, supported by Southwark Trades Council and the local Labour parties. In 1978, Southwark residents and organisations marched to the ‘Rock Against Racism’ rally and protests at Brockwell Park, the UK’s largest anti-racism rally. Through the 1980s and 1990s the community organised local marches and rallies to combat racism across the borough, in Peckham, Walworth and Bermondsey.
In 1983 Southwark Council established a Race Equality Committee and Unit, which provided funding and support for a range of community initiatives, as well as embedding anti-racist practices across the council and leading the way in addressing racist hate crimes. In 1994, Southwark Council won the Commission for Racial Equality’s first Local Authority Race Award for its work prosecuting the perpetrators of racial harassment on housing estates.
The shocking killing of George Floyd this year and the Black Lives Matter movement and protests around the world have shown that racism is still widespread and there is still much to do. The ongoing Southwark Stands Together programme gives detail on the council’s current work in this area and how “as a borough we knew that now, more than ever, we had to listen, react and together develop solutions”. The latest progress report for the programme can be read online here.
We hope to turn what we find into an online study resource in the coming months, but in the meantime we present here a selection of some key items from the archives that begin telling this story. If you would like to be involved in the project, please drop us an email at email@example.com
Click through the slideshow below to see a selection of posters and flyers from 1930s to 2000s about anti-racism in Southwark:
London’s Screen Archives has been an indispensable resource for Southwark Local History Library and Archive. It is a fantastic network of organisations including museums, galleries, charities, community groups and public sector bodies who hold heritage film and whose aim is to ‘preserve and share London’s history on film’. They started digitising our film and video holdings in 2011 and now host them on their website and YouTube channel. Over the years they have offered us training and advice on how to catalogue and license our holdings and have welcomed us as a steering group partner. This has enabled us to keep on top of developments in this ever changing sector. We are very grateful to them, so it was naturally to LSA that I turned when a can of film was discovered in our archive store by my colleague, Lisa Moss, in 2014.
Some lessons from the Brandon Estate Cine Club collection
Previous to this discovery, the last time I had had the opportunity to look at film held in the archive was in 2009. I bought an 8mm viewer on eBay and tentatively began looking through what was to become the Brandon Estate Cine Club film collection. With no accession paperwork, tracing the provenance of that collection of around 22 films was the first step in a journey that turned out to be one with a few twists and turns.
I knew that there were two film makers as they credited themselves in intertitles made of what looked like magnetic alphabet.
I established via a telephone call with his sister, Dorothy that Richard (‘Dickie’) Morgan was alive but I was unable to get any more information about Brian Waterman. Suffice to say that despite my best efforts, which included holding the first ever screening of the films in one of the estate’s community centres, (which I thought might elicit some memories about the film makers), contacting local tenants’ associations (a member of whom knew Brian but did not know if he was alive), contacting local newspapers, writing letters and making other general enquiries, I had assumed Brian’s demise. So, obviously I was shocked when a few weeks after the film show, I received an email from Brian himself informing me that he was ‘very much alive’! I am well aware of the moral to that story.
So, when my colleague found another can of film in the archive I knew there were two things I needed to do immediately; get the film viewed and assessed and research the provenance thoroughly and that’s exactly what I did.
How I assessed the condition of the film
The can of film was in a flat archival box. There was little information on the outside other than the words ‘film can’ and no accession documentation to be found so we had no idea who deposited the film or under what agreement.
On opening the can, I got a slight whiff of something chemical and I wondered whether the film had vinegar syndrome, (safety film, introduced by Kodak in 1923 is made of cellulose acetate plastic and can degrade if not kept in the right conditions giving off a vinegary smell).
I couldn’t see any warping or buckling of the film however, which is a clear sign of film degradation.
I also wasn’t sure if there was any mould deeper into the reel. Perhaps the smell was just the release of chemicals built up over the years. This is where the possession of AD strips would have been useful. They can detect the severity of acetate deterioration and can therefore also be used on 35mm stills film.
The gauge of the film was 16mm, so I wondered who made it,as this was a format commonly used by municipal organisations, professional businesses and broadcasters between the 1930s and 1970s, though it was still popular with amateur film makers despite the introduction of the smaller Standard 8mm. The Bermondsey Borough Council films for example, were mostly shot on 16mm.
The problem with this film was that there was no leader (a piece of film at the head and tail that helps to thread or ‘lead’ the film into the projector). The head end could sometimes contain written information about the film such as title or filmmaker.
As I carefully unravelled a few inches of film away from its roll I wondered if we had stumbled across a local amateur film. Without a 16mm viewer I couldn’t be certain of the source or content and if the film was not relevant to Southwark, we would have to consider transferring it to another relevant archive. For now, I needed to keep the film as cold (but dry) as possible to prevent further degradation.
Some expert help from the Cinema Museum
As luck would have it the Cinema Museum were having one of their fantastic open days in October 2014 where anyone could bring along their film and have it viewed and assessed by a professional film archivist for free! It was important to view the film before sending it to a professional organisation like LSA or British Film Institute first, since the volume of material they receive (or did at that time) would mean I would be waiting a long time before I received any information about it and I may not have been allowed to view it while they worked on it. So, Home Movie Day was next on my list of things to do.
Volunteer film archivist, Sally, made the following observations
The film was approximately 600ft in length (that’s approximately 25 minutes duration).
It contained mixed film stock from Ilford dated 1965 and Kodak dated 1966. (The date a film was manufactured can be worked out from the symbols on the edge of the film – here’s a handy guide that you can download).
Part of the film was shot at 24 frames per second and part at 18 frames per second. (It was cheaper to shoot at 18fps as fewer frames per second means you could save on film stock.)
The film was spliced in several places. (An edit of two separate films, so they can be shown continuously.)
It was perforated on both sides of the film. (Otherwise known as ‘double perf’ and therefore the film was silent with no separate sound track.)
There is evidence of ‘slight mould’ on the edge of the film in places although it is inactive with ‘slight shrinkage in places.’ (This was perhaps the most important point, and meant that regardless of its overall good condition, film conservation was going to be an important step in this film’s journey.)
Sally’s recommendations were to get the film professionally assessed and digitised.
Once the assessment was completed, I was invited to look at the film via a film projector in another part of the main hall. As the viewing started I immediately realised that I was looking at footage from Clubland.
Clubland: Walworth’s pioneering youth club
Clubland was founded by Reverend Jimmy Butterworth in 1922 and was based in the Walworth Methodist Church on the corner of Camberwell Road and Grosvenor Terrace for over 50 years. It was a Christian youth club which pioneered a new approach to youth work and became one of the most successful in the UK, with royalty and celebrities among its fan base.
The film began in quite grainy black and white, showing the exterior of the Clubland building and went on to show young people from Clubland cleaning a property, presumably for the purposes of club activities. Rev. Butterworth is clearly seen managing the youth with his trademark pipe in mouth. As the film went on, I was aware of more and more people in the hall joining the viewing and would occasionally hear the utterings from film enthusiasts about details of the filming.
The film went from black and white to colour, indicating a different film and showing footage of the club’s outings including one to Wissant in France and sports day in Burgess Park, Camberwell. All of it was in remarkable condition and the local history details were fantastic! Shops no longer on Camberwell Road were revealed, the old factories that lined the perimeter of Burgess Park, and of course the Rev. Butterworth who featured regularly.
I was keen to know who the film maker was but there was no doubting the significance of the film to the borough. But did the film exist in another format elsewhere?
Since the subject matter of the films meant there was significance to the borough of Southwark, I decided that the next steps would be to research the film’s origins.
A few days after the Cinema Museum’s Open Day, I called Mary, daughter of the late Rev. Butterworth. I had spoken to Mary on numerous occasions, the family have close ties to the archive as it holds the majority of Clubland’s records. I told her about the film. Did she know anything about it? Mary said it was filmed by her mother, who she said did most of the filming of the club’s activities and was probably part of a larger donation of items by the family over 20 years previously. Mary and her brother, John were happy to transfer the rights in the film to Southwark Local History Library and Archive, particularly as it had stored it for so long. Documentation would later be drawn up between the archive and the Butterworth family but for now, we had the permission to pursue the film’s preservation and digitisation with London’s Screen Archives.
Digitising the film
Timing is everything and as luck would have it (again) in the late Autumn of 2014 London’s Screen Archives were checking archives with moving image across London to see whether they had any film material they would like to put forward for their Unlocking Film Heritage programme in association with the British Film Institute. I recommended the Clubland film and it would be a couple of months of back and forth emails before I would receive confirmation that it would be accepted into the UFH programme. Hurrah!
It was not until the following year in March 2015 that I finally handed the film over to the LSA in person at their then offices in the Tea Building in Shoreditch. I met with film archivist, Louise Pankhurst, who began the official assessment process. Of course the film had no name and so one was assigned to it – ‘Clubland Activities of the 1950s and 60s‘ since that’s what the film showed (or so I thought).
That was the last time I saw that can of film which is now safely stored courtesy of the LSA.
It would be another 9 months from the handing over the film before I would get a DVD copy of Clubland Activities of the 1950s and 60s. Such was the success of Unlocking Film Heritage that thousands of films were being assessed, preserved and made available to the public. However, it was worth waiting for and our archive is grateful for the opportunity to have our films digitised for free and made available for the public to enjoy. The film is available on both the London’s Screen Archives website and the BFI Player for free forever. The BFI assigned their own title: Rev. Jimmy Butterworth and the activities of Clubland (1966).
If you have old film, significant to the borough of Southwark, and would like help to get it digitised or would like to deposit a film of any format with the archive, do get in contact with us by email at firstname.lastname@example.org.
With thanks to David Whorlow, Volunteer and Archives Co-ordinator and Jack Reichhold, Information and Media Officer at London’s Screen Archives.
In May 1945, British forces in the northern German port of Kiel captured a German ship, the MV Monte Rosa, as war reparations. She was built in Hamburg, in 1936: after a short pre-war career as a cruise ship with the Kraft durch Freude (“Strength through Joy”) programme, she became a transport, then a hospital ship. Monte Rosa had been converted to a troop transport and assigned to the Ministry of Transport by the beginning of 1947. She also received a new name, one that marked her as a prize of war and highlighted a tributary of the Thames — a name that made history: HMT Empire Windrush.
The government commissioned the New Zealand Shipping Company to operate Windrush; she ferried British service personnel and their families between the UK, the Far East, and points in between for the next year. Windrush arrived at the port of Tilbury from Bombay on 8 April 1948. Her next voyage broke the mould, – rather than returning to the Far East, Windrush made her first – and only – trip to the Caribbean. One source claims that the trip was part of a repositioning cruise to Australia via the Atlantic; most others claim that she was sent to Kingston, Jamaica to pick up British service personnel who were on leave there. The latter seems more likely, since ads appeared in Jamaica’s premier newspaper, the Daily Gleaner, in late April, offering cheap passage to London. Travellers paid £28 for a berth on the open troop deck, or £48 for a cabin: for someone in Jamaica in 1948, that was more than a month’s pay, and would be like paying nearly £1,000 and more than £1,700 respectively today!
Windrush arrived in Trinidad on 20 May 1948, embarking local passengers as well as others who had travelled from other Caribbean islands and British Guiana (now Guyana); she then made scheduled port calls at Kingston, Jamaica, and Bermuda; however, in between she detoured to Tampico, in Mexico – where 66 Polish refugees embarked, all but one to join husbands and fathers who’d fought in the Polish forces-in-exile under the terms of the Polish Resettlement Act 1947.
At Kingston, as passenger Alford Gardner told the Guardian in 2018, there were more would-be travellers than tickets available. The Great Depression wrecked the agricultural export market Jamaica’s economy relied on; the resulting unemployment, poor living conditions, and inequality still lingered. A hurricane in 1944 meant the farm economy was still depressed, and many people took the opportunity to try their luck in the mother country. In fact, about one-third of Windrush’s passengers were either serving members of the RAF or veterans looking to re-enlist.
As Windrush steamed toward the UK, immigration was a hot topic. The mother country faced major labour shortage in many sectors, and needed to repair huge amounts of war damage. Eearlier in 1948, a government working group had ultimately advised against large-scale colonial immigration to fill this gap. Additionally, Parliament was debating the British Nationality Act 1948, which passed just over a month after Windrush arrived; this act created a single citizenship for the United Kingdom and its colonies. Even Creech Jones, the Colonial Secretary, commented on a BBC broadcast that, while Windrush’s Caribbean passengers were British passport holders with the right to settle, there was no reason to worry, because they wouldn’t last one English winter.
HMT Empire Windrush docked at Tilbury on 21 June 1948, with 1,027 listed passengers (and two stowaways) on board. Men outnumbered women by about 3 to 1; more than 800 came from the Caribbean, and nearly half were Jamaican. Pathé News sent a reporter to interview the new arrivals – the first immigration en masse from Britain’s colonies. The transport industry and the fledgling National Health Service were both especially badly hit by labour shortages and welcomed the newcomers. However, their welcome wasn’t universal: the day after Windrush docked, a group of 10 MPs wrote to Prime Minister Clement Atlee in protest; in his response, (held at the National Archives), the PM attempted to placate them, ending the letter by noting that “I doubt whether there is likely to be a similar large influx.”
While many of her passengers had plans, or had already organised housing or a job, just over 200 had neither on arrival. They were temporarily housed in the deep air-raid shelter at Clapham South tube, some 15 storeys underground. More than half had found work within a week or two; the nearest labour exchange (what we now call a Job Centre) to Clapham South was in Coldharbour Lane, Brixton, – planting the seed of one of the largest Afro-Caribbean communities in the country.
Southwark is especially proud of one of the Jamaican veterans on board the Empire Windrush: Samuel Beaver King, MBE. He was born in Priestman’s River, Portland, Jamaica, on 20 February 1926 – one of George and Caroline King’s ten children. Mr King worked with his father on the family’s banana plantation, and intended to take it over, but the Second World War changed those plans. In 1944 he saw a Daily Gleaner advert recruiting for the RAF, and asked his mother for advice; decades later, he remembered her response: “My son, the mother country is at war. Go – and if you survive, you will not regret it.”
Mr King passed the entry exams, completed RAF basic training in Kingston, and set sail for the UK in 1944. His first posting was in Greenock, just outside Glasgow – both the cold and the devastation created by German bombers shocked him. He served at aerodromes around Scotland and England, first as ground crew and then as a skilled aircraft fitter, before being demobbed in 1947.
He returned to Jamaica, but the 1944 hurricane – which destroyed an estimated 90% of Jamaica’s banana trees – had devastated the family plantation, and there was little other work available. Once more, Mr King answered a Daily Gleaner ad, and booked passage on the Empire Windrush to re-enlist: his family sold three cows to raise the funds for a troop deck berth. On board, there was a bit of a holiday atmosphere, and special camaraderie among the RAF veterans. However, he noted in his memoir Forty Years On that there was also enough apprehension about the government turning the ship back that he organised two ex-RAF wireless operators to play dominoes outside the radio room – and monitor incoming messages.
He re-enlisted in the RAF in 1948, serving until 1953. While Black service personnel found they were respected and supported when they were in uniform, civvy street was far too often a different story. Racism restricted job opportunities: Mr King applied unsuccessfully to the Metropolitan Police in 1953 – it took them another 14 years to appoint its first Black officer. Racial discrimination also made it extremely difficult for many Black people to find housing — and thereby start putting down roots. In 1950, Mr King, then an RAF corporal, and his brother Wilton attempted to buy a house in Sears Street, Camberwell, but bank officials responded to a mortgage request with a letter suggesting he return to Jamaica. Mr King took the letter to the owner of the house, who was so disgusted that he gave him mortgage himself; this made the Kings the second Black family in Southwark to own a home. For other Black residents, the only way to own a home was to join a savings club, known as a “partner”: Mr King took an active role in setting up many partners.
His status as a veteran ensured his application to the Post Office was successful; his career there lasted 34 years, beginning as a postal carrier and ending as Postal Executive for the South Eastern postal district. On 26 June 1954, Sam King married Mavis (Mae) Kirlew, a student nurse at Emmanuel Church in Camberwell. They had two children, Michael and Althea, together; Mr King also had a daughter, Daslin, from a previous relationship.
Faith and community were at the centre of Mr King’s life. He was a lay preacher who trained in ministry at Goldsmiths College; in the 1980s he actively championed gospel music, supporting a number of broadcast licence applications for community radio stations and helping organise the 1985 Songs of Praise broadcast from Southwark Cathedral that pioneered gospel music on a BBC national flagship show.
Mr King was also active in the postal union, the local Labour party, and as a community organiser. He helped Claudia Jones launch Britain’s first major Black newspaper, the West Indian Gazette, in March 1958, and served as its circulation manager. In 1959, he helped her organise the first Caribbean-style carnival in St Pancras Town Hall — the precursor to the Notting Hill Carnival. Sam’s ability to communicate with and connect the Camberwell and Peckham local communities and the police also helped avoid violence in the aftermath of the 1958 Notting Hill riots and during National Front agitation in the 1970s and 1980s.
In the 1982 local elections, Mr King was elected councillor for Bellenden ward, and six months later, in 1983, he became Southwark’s first Black mayor (leading to death and arson threats against him from the National Front). Mae died in 1983; he married Myrtle Kirlew in late 1984.
Mr King was also active in the postal union, the local Labour party, and as a community organiser. He helped Claudia Jones launch Britain’s first major Black newspaper, the West Indian Gazette, in March 1958, and served as its circulation manager. In 1959, he helped her organise the first Caribbean-style carnival in St Pancras Town Hall — the precursor to the Notting Hill Carnival. Sam’s ability to communicate with and connect the Camberwell and Peckham local communities and the police also helped avoid violence in the aftermath of the 1958 Notting Hill riots and during National Front agitation in the 1970s and 1980s. In the 1982 local elections, Mr King was elected councillor for Bellenden ward, and six months later, in 1983, he became Southwark’s first Black mayor (leading to death and arson threats against him from the National Front). Mae died in 1983; he married Myrtle Kirlew in late 1984.
After retiring from local politics in the mid 1980s, Mr King focussed on preserving the experiences of his generation. He founded the Windrush Foundation with Arthur Torrington in 1996 to highlight the contributions of Britain’s African and Caribbean communities, safeguard the memories of Britain’s first post-war settlers, and promote good community relations. He was perhaps best known for his campaigning to make the anniversary of the Empire Windrush’s arrival a holiday, and in the process becoming known as “Mr Windrush”. In 1998, Sam King received the MBE as part of the 50th anniversary celebrations for Windrush. He published his autobiography, Climbing Up the Rough Side of the Mountain, the same year. In 2009, a public vote awarded him a Southwark blue plaque which was installed during a ceremony at his long-time home at Warmington Road, Herne Hill, on 31 January 2010, and in May 2016, he received the freedom of the borough of Southwark.
Sam King MBE died on 17 June 2016, less than a week before the 68th anniversary of his arrival on the Empire Windrush: more than 500 people attended his funeral at Southwark Cathedral. Jeremy Corbyn, the Labour leader, paid tribute to Mr King, saying “[h]e educated Londoners with Caribbean food, Caribbean culture, Caribbean music. London is a better place, Britain is a better place, thanks to him and his family.”
On the 72nd anniversary of the arrival of HMT Empire Windrush at Tilbury Dock, the people of Southwark are grateful for Sam King MBE: his love of his community, hard work and spirit of service and the sacrifices made by him and the whole of the Windrush generation.
The National Archives of the UK; Kew, Surrey, England; Board of Trade: Commercial and Statistical Department and successors: Inwards Passenger Lists.; Class: BT26; Piece: 1237
Telegram concerning passengers on the Empire Windrush, 6 July 1948 (Catalogue ref: CO 876/88)
Today one of Southwark’s collections, the Crutchley Archive, joins the UK Memory of the World Register. Here we’ll share the story behind it and explain a bit about how we help to preserve the history of the borough.
One of our early blog posts talks about what the archive holds, but it doesn’t necessarily tell you what an archive is. An “archive” can be one of two things: a building that holds historic records, or the historic records themselves.
So what are records? They’re documents someone – a person or organisation – creates over the course of time that put their opinions, decisions, and actions in writing. They’re different than books, magazines and other documents because their main purpose isn’t to communicate something into the future.
One way to think about it is that records are the memory of their creator: telling us not just when and where something happened, but how and why. They give us the information that lets us call people and organisations to account for their actions. This evidence value means we need to keep some records as long as we can – those are the records that archives collect.
Obviously, archival records can get destroyed or damaged – if you think about how easy it is to chuck papers in the bin, or how creased and torn an old, much-read love letter can get, you’ll understand what we mean. If an archive’s importance isn’t obvious, it’s more likely to get damaged or destroyed. And that’s a tragedy, because archives are unique and irreplaceable: once they’re destroyed or unusable, the information in them is gone forever.
You may be familiar with “listed building” status or the United Nations Educational Scientific and Cultural Organisation’s World Heritage Site programme. These programmes aim to protect buildings by highlighting their architectural or historical value. There’s a similar UNESCO programme for archives – the Memory of the World Register. The international programme started in 1992, and a UK national programme in 2010.
Both registers highlight records, or collections of records, that are outstandingly important – they tell stories that help us understand and make sense of, the history of a region, the whole UK, or even the entire world. That recognition, like listed building status, helps protect the records. The international Memory of the World Register includes the personal papers of Sir Winston Churchill, George Orwell, and archaeologist Gertrude Bell, the Magna Carta, and the film The Battle of the Somme, which was shot during the early days of the battle. Some of the collections with national inscription are the Domesday Book, Michael Faraday’s notebooks, the London County Council’s Second World War bomb damage maps, Alfred Hitchcock’s silent films, and Royal Mail’s archive.
Today one of Southwark’s collections, the Crutchley Archive, joins the UK Memory of the World Register. The collection – a group of 15 volumes or parts of volumes – came to us in 2011 as a gift from Annie Crutchley. What we learned from her was that these records were from a dyeing business her husband’s ancestors ran in Clink Street in the 18th century. We could see that there were samples of cloth in many of the volumes, and also that the nearly 300 years between then and now weren’t very kind to these records: they’ve been damaged by pests, water, and mould.
To be honest, that’s about all we knew, until Dr Anita Quye visited us in June 2014, and made it very clear that these records were special. Anita, and her colleagues Drs Dominque Cardon and Jenny Balfour-Paul, have been researching the Crutchley family, their business, and their records since then.
Some of their research gives us more background. John Crutchley, the firm’s founder, was born in 1676 – his family were dyers, and he began as an apprentice to John Trimmer, a prominent dyer, in 1691. By 1710, he was a liveryman – a full member – of the Worshipful Company of Dyers, and he’d started his own company by 1718. Four of John’s sons – Thomas, William, Coleman, and Jeremiah – trained as dyers. John died in 1727 – you can see a memorial to him in Lee Old Churchyard in Lewisham – and Jeremiah took over the business. The 15 items in our collection document the period between 1716 and 1744, a time of explosive economic growth and radical intellectual development in the fledging United Kingdom that set the stage for the Industrial Revolution; the family firm, however, continued its work until the 19th century, eventually becoming major suppliers to the British East India Company.
Dyeing was a hugely important industry in this period – as well as being a cornerstone of fashion, dyed textiles were an important export. Modern synthetic dyes hadn’t been invented in the 18th century. Instead, dyers coloured cloth using natural dyes, often extracted from plants: essentially boiling cloth in a giant vat of herbal tea. A lot of dyeplants had to be imported, and finished cloth needed to be stretched and dried – so places within easy reach of water, wharves, and wide open spaces were ideal sites for dyehouses.
It may be hard for us to imagine today, but Bankside fit that bill perfectly. Southwark’s riverfront, especially between Blackfriars and St Mary Overy Dock, was a centre of the dye trade for decades – wills and contracts the Crutchley family still hold tell us the firm had premises in Deadman’s Place (the modern Park Street), and Clink Street near Borough Market, as well as in Maze Pond, where the modern buildings of Guy’s Hospital are today. All of these places are only a short walk from our searchroom – you can walk in the Crutchley family’s footsteps – but there are only a few traces of their Bankside left: names of streets and lead seals used to mark quality of cloth bales, which are a fairly frequent find on the Thames foreshore. These records push our window into this vanished industrial Bankside open wider.
In fact, they throw it wide open — the collection isn’t just special, it’s spectacular. The collection includes two cash books, three hardcover pattern books, five dye books, and four calculation books. Taken together, they give us a complete and well-rounded view of a contemporary textile business that few other collections – in the UK or abroad – can match.
The cash books tell us that the firm took orders from more than 140 named individuals (including one woman, which is rare) between 1721 and 1725, as well as the British East Indian, Dutch East Indian, and South Seas companies. A single order could cost the equivalent of £250,000 today.
The three hardbound pattern books are large, impressive volumes that cover a period from the spring of 1736 to the winter of 1744. Each entry in the books gives brief instructions on how to create a specific colour for a specific named person; each order is dated, and most have a small sample of finished dyed fabric attached. These may well have been used in a showroom or sales office, to entice buyers with the skill of Crutchley’s employees. The colours are still vivid after nearly 300 years; they range from the delicate pastel yellows, lilacs, and pinks we associate with period dramas, to bright oranges and yellows that wouldn’t look out of place in the 1980s.
All but one of the dye books are softcover, and their instructions are much more detailed – they cover a period between 1722 and 1732, although pasted-in inserts provide details of techniques going back to 1716. Many of these recipes have fabric samples attached: they tell us that the Crutchley firm specialised in red colours. These books also record some instructions in Flemish or Old Dutch, and again translated into English – this unique survival shows the firm’s specialists learning and adopting techniques from European colleagues.
It’s the four calculation books that give us perhaps the best view into the firm’s work, though. They don’t have samples – instead, they’re working technical manuals, giving details of agents and quantities to produce specific effects. One of the books has monogram marks that resemble the notations on lead cloth seals found in the Thames: they may well specify specific cloth as well. These books even have red stains on them, proving they were used in the dyehouse itself. As Anita notes, they’re as close as we can get to watching over the shoulder of a working Crutchley company dyer.
As you may be able to tell, we’re very excited about this collection. But you may be wondering why it’s so important – there are other collections of dyeing records all over the country, including ones with samples. These records, however, are single items or small groups of records that we can’t put into context well. The Crutchley collection, on the other hand, is firmly grounded to a specific time, place, and community; that means it’s an amazing source of information on the history of an important industry.
The Crutchley collection also records techniques that were, for the most part, lost with the discovery of synthetic dyes. The hundreds of samples in the collection provide an unmatched pool of research data for chemical analysis – not only to prove that the recipes produce what they say they do, but to compare to recipes, techniques, and samples from different time periods and parts of the world. Synthetic dyes can have huge negative impact on the environment and water access; the Crutchley collection can help find ways to improve historic natural dye techniques with modern science.
Most importantly, maybe, it ties Southwark’s present back into its past in an engaging, compelling way. The pattern books pull visitors to the searchroom in with their clear Georgian handwriting and vivid colours – they’re just that enthralling. Combined with the right maps, you can use them to follow the traces of Bankside’s colourful past beyond the hundreds of years of change and development to the dyers and their vats. The collection has something to offer almost anyone – it touches chemistry, history, economics, trade, international relations, textiles, fashion, even botany. Modern Southwark is justly proud of its creative industries, not least its small fashion enterprises. We look forward to introducing designers, artists, and craftspeople looking for inspiration and collaboration to their colleagues of nearly 300 years ago.
Any effort this big is a team one, and we need to thank many people. First and foremost is the Crutchley family, whose care kept the collection safe, and Annie Crutchley, who generously donated it. Lisa Moss, our former Archive Officer, liaised with our academic colleagues and successfully applied to the National Manuscript Conservation Trust for assistance with conserving the collection: without her hard work, we wouldn’t be celebrating. Anita Quye, Dominque Cardon, and Jenny Balfour-Paul have been researching the collection since 2016 – without their efforts, it would still be a colourful curiosity in a box in our collection store. Ian Mackintosh, the archivist at the Worshipful Company of Dyers, generously assisted with research. Nell Hoare has provided support and advice on conservation. The National Manuscripts Cataloguing Trust provided financial support for conservation work; Textile Conservation Foundation and the Worshipful Company of Dyers provided research funding.
Please note this blog post contains some outdated terminology that may be deemed offensive. Terms describing disability have changed greatly through the last century and continue to evolve. More information about historic and current terminology is available here.
These pictures are from two photo albums in our collections that belonged to Len Wright. Len was born in Peckham in 1938 and lived with his family on the Lindley Estate for most of his life. He developed epilepsy in his twenties and his father Harold also had a physical disability from birth.
Len and Arthur
Both Len and his brother Arthur worked as street cleaners for Camberwell Council, and in later life Len was a regular user of the Aylesbury Day Centre from its opening in 1975, taking an active part especially in the woodwork activities. In 1990 after his father died Len moved into sheltered housing. He died in 2011 and is buried in Camberwell New Cemetery.
A trip to an airfield
A trip to an airfield
A trip to an airfield
A trip to an airfield
At the beach
A trip to an airfield
A trip to Eastbourne
A trip to Eastbourne
A trip to Eastbourne Grand Parade (carpet gardens)
A trip to Eastbourne
A trip to Eastbourne
The photographs in the albums are primarily of Len’s family but they also include pictures of outings with a local disability group in the 1950s-1960s. His father features prominently and was presumably a member of the group, although Len, Arthur and their mother Harmer are also seen taking part. The pictures show the group going on coach trips to the seaside at Eastbourne, visiting Bekonscot Model Village, a trip to an unidentified Airfield (possibly including disabled veterans), and a canal boat outing in London. Another set of images shows the group playing games in a hall with lollipops stuck to the floor (if anyone knows what this game is please let us know!) Various services that supported the group are also seen including staff from St John’s Ambulance, London County Council Ambulance Service, and British Waterways. Some of the pictures also show people from the group wearing a triangle lapel badge – does anybody know what this indicates?
Hall with games including St John Ambulance
A trip to the canal
Day trip including the LCC Ambulance Service
Day trip including the LCC Ambulance Service
A trip to the canal
Hall with games including St John Ambulance
The group itself is unidentified but may be the Peckham Cripple Guild of Friendship, which was a weekly social group for physically disabled adults run by the Shaftesbury Society. This was a Christian charity that supported people with disabilities, originally founded in 1844 by Lord Shaftesbury as the Ragged School Union. In the 1960s the charity maintained residential schools for children with muscular dystrophy, spina bifida and other neuro-muscular disorders, as well as maintaining three residential centres and two holiday centres for the physically disabled. The Peckham group met weekly in the 1950s at Bracey-Wright Hall (formerly Christ Church Mission Hall) on Friary Road, and then in the 1960s at the new Caroline Gardens Day Centre, Asylum Road. They would meet in the evening for activities including table games and entertainments, and transport for members was provided by the charity. In the 1970s the group was renamed as Peckham Guild of Friendship for Disabled People and began meeting at the newly-opened Aylesbury Day Centre, where Len was a regular. The Shaftesbury Society continued operating until 2007 when it became part of the charity Livability.
Len Wright in Aylesbury Day Centre book 1983
Probably Sheltered Housing including the St John Ambulance
Other local organisations that provided services for the physically disabled around this time included the British Red Cross Society (160 Peckham Rye, including the Ex-Service Disabled Club), the Muscular Dystrophy Group (65 Asylum Road), the King George VI Memorial Club (67 Crawford Road, SE5), Camberwell Old People’s Welfare Association (33 Peckham Road) , the Union for Girls Schools Settlement (later known as Peckham Settlement) on Staffordshire Street, and Pitt Street Settlement (East Surrey Grove). Council services for the disabled under the London Borough of Southwark were based at the Caroline Gardens Day Centre (10 Asylum Road), and later at the Aylesbury Day Centre from 1975. The Aylesbury centre was the home of Southwark Disablement Association, which continues today as SDA Independent Living. The centre itself was replaced in 2012 by the new Southwark Resource Centre on Bradenham Close, which also took over the responsibilities of the Outreach Team for disabled adults in Southwark.
Len Wright’s photograph albums are reference 2018/45 in the archive collections, and are available to view in the search room (at 211 Borough High Street) to any member of the public during our opening hours
30 September is National Sporting Heritage Day and to celebrate Southwark Archives is showcasing some newly-digitised photographs from the Phil Polglaze collection. Thanks to the generosity of Sporting Heritage and Art Fund we were able to digitise these pictures of Southwark’s sporting past that would otherwise never be seen.
Phil Polglaze was one of Southwark council’s main photographers in the 1980s and 1990s, and he covered local events for the Sparrow newspaper. His photographs show a wide variety of sports events in the borough including local people as well as the occasional celebrity. The newly-digitised pictures show Frank Bruno and Fatima Whitbread mixing with the people of Southwark at sporting events in Southwark Park, the London Youth Games at Crystal Palace and boating at Surrey Docks.
The photos are being displayed in Southwark libraries for Sporting Heritage Day on 30th September and will also be available more widely in 2020 when the Polglaze collection will be put online.
Athletics at Southwark Park, 2 October 1989.
Fatima Whitbread meets the crowd at Southwark Park, 2 October 1989
Frank Bruno poses with some young athletes at Southwark Park, 2 October 1989