Preserving Southwark’s Sporting Heritage

by Chris Scales, Heritage officer

30 September is National Sporting Heritage Day and to celebrate Southwark Archives is showcasing some newly-digitised photographs from the Phil Polglaze collection. Thanks to the generosity of Sporting Heritage and Art Fund we were able to digitise these pictures of Southwark’s sporting past that would otherwise never be seen.

Phil Polglaze was one of Southwark council’s main photographers in the 1980s and 1990s, and he covered local events for the Sparrow newspaper. His photographs show a wide variety of sports events in the borough including local people as well as the occasional celebrity. The newly-digitised pictures show Frank Bruno and Fatima Whitbread mixing with the people of Southwark at sporting events in Southwark Park, the London Youth Games at Crystal Palace and boating at Surrey Docks.

The photos are being displayed in Southwark libraries for Sporting Heritage Day on 30th September and will also be available more widely in 2020 when the Polglaze collection will be put online.

Athletics at Southwark Park, 2 October 1989.

Sports_at_Southwark_Park_1989_10_02_0007 Fatima Whitbread

Fatima Whitbread meets the crowd at Southwark Park, 2 October 1989

Sports_at_Southwark_Park_1989_10_02_0042 Frank Bruno

Frank Bruno poses with some young athletes at Southwark Park, 2 October 1989

 

The London Youth Games, 8 July 1990

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Boating at Surrey Docks, 26 May 1990

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In search of a ‘lost river’: walking the Earl’s Sluice from Walworth to Rotherhithe with the Walworth HAZ

by Walworth Heritage Action Zone Project Manager, Stephanie Ostrich

The Thames winds through the heart of London, fed by its many tributaries, streams and brooks. Though we cannot see many of these rivers today, they still flow beneath our homes, our streets, and our feet. They also leave tantalising traces on the surface that hint at the rushing ‘lost river’ below.

One such river is the Earl’s Sluice which runs from the heights of Ruskin Park to Rotherhithe and into the Thames. In July, the Walworth Heritage Action Zone (HAZ) and Southwark Council organised a guided walk of part of the Earl’s Sluice from Walworth Road/Camberwell Road to the Thames, based on the walk in Tom Bolton’s book London’s Lost Rivers: A Walkers Guide.

Our intrepid explorers began at the Camberwell Road entrance at Burgess Park: the former terminus of the old Grand Surrey Canal. The canal, built in the early 1800s, was a bustling hub of industry, moving goods from the factories and workshops of Walworth, Camberwell and Peckham to the docks at what is today Surrey Quays; it also ran parallel to the Earls’ Sluice and was our first clue on our search for our lost river. The canal was infilled in the 1970s, and now is highlighted by the straight path running through the centre of Burgess Park.

1. Burgess Park map

Figure 1. Burgess Park used to be a densely packed neighbourhood with housing and industrial buildings lining either side of the former Grand Surrey Canal. This modern map showing Burgess Park (in green) is overlain by a 1940s OS map. The Bridge to Nowhere in Burgess Park once crossed this canal. The Earl’s Sluice forms the parish boundary here. You can see hints of it in the oddly curved rear gardens of properties north of Albany Road. (© Layers of London)

The Earl’s Sluice once flowed as a river through the fields and marshes of south London; this natural feature made an excellent landmark and acted as a boundary along its length for several parishes and boroughs and was also the county boundary between Surrey and Kent. Another clue to its existence beneath our feet was found as we walked one street up, to Boundary Lane. Road names can be excellent clues to what once was here before.

2. Boundary Lane

Figure 2. The Earls’ Sluice once formed the boundary between several parishes and even counties. When the river was covered over, it became a street called Boundary Lane which is still the boundary between Camberwell and Walworth and the postcodes SE17 and SE5.

Up until the 18th century, when Walworth and the Old Kent Road were small villages surrounded by fields and orchards, the river flowed under a bridge at the Walworth Road/Camberwell Road here and turned east to the Thames. It then flowed under another bridge at Old Kent Road. This area was called ‘St Thomas a Watering,’ an important spot on the medieval pilgrimage route from Southwark to Canterbury, made in honour of Thomas a Becket.  It is also the first stop of the travellers in Chaucer’s Canterbury Tales where they draw lots to decide who will tell the first tale on their journey, while their horses have a refreshing drink in the Earl’s Sluice. At a site near this spot stands a former pub and boxing hall called St Thomas a Becket – now a Vietnamese restaurant. The pub sign for St Thomas a Becket is still there, a memory of what was once here all those years ago.

3. Rocque 1761

Figure 3. Rocque’s map of 1761 shows bridges crossing the Earl’s sluice south of Walworth village and over the Old Kent Road at ‘St Thos Watering’s’

We walked east along Albany Road in search of more clues of the Earl’s Sluice. In the past, Londoners did not think about littering in the same way as we do today. An easy way of disposing of rubbish – and of poo – was to dump it into the nearby river which would wash it out to sea. Unfortunately years of this meant our rivers eventually became open sewers! By the 1830s and 40s much of the Earls’ Sluice was culverted – covered over with bricks – which was more sanitary and also meant the land could be used for building houses over it. In 1858, a very hot summer made the Thames, which was full of sewage, smell terrible! This became known as ‘The Big Stink’ and because of this, Victorian engineers like Joseph Bazelgette were hired to build large purpose-built sewers across London; this included our Earl’s Sluice, which because diverted into the Earl Main Sewer.

4. 1832

Figure 4. The Earl’s sluice is still open in 1832, running alongside Albany Road, in the bottom left corner of the map, (1832 Plan of London from the United Kingdom Newspaper)

5. 1840 map

Figure 5. By 1840, the Earl’s Sluice west of the Old Kent Road, under what is now the Aylesbury Estate, has disappeared underground (1840 Plan of London from the United Kingdom Newspaper 2nd ed)

So our poor Earls’ Sluice became a stinky sewer in the 19th century, but luckily for us the Victorian engineers left us some more clues to follow on our journey to the Thames. Large, green and functional, these stinkpipes jut out high above the street level and vent gas from the sewer below high into the air far away from our noses. As we walked along Albany Road, crossed Old Kent Road to Rolls Road, and turned onto Rotherhithe New Road and ventured to Surrey Quays we kept our eye out for this big green stinkpipes to make sure we were on the right track!

6. Stinkpipe

Figure 6. One of several tall green stinkpipes venting gases from the Earl’s Sluice and Earls Main Sewer which flows beneath them. This stinkpipe is on a busy junction at Rotherhithe New Road and there are many more along the Earls Main Sewer under Albany Road. These can be seen all over South London (photo © Walworth Society, Jeremy Leach)

The Earl’s Sluice eventually joins the river Peck (from which Peckham gets its name) in South Bermondsey. We followed it as it flows under Eugenia Road and Concorde Way, which is still a boundary between Southwark and Lewisham. At Oldfield Grove, we got a closer look at the Earl’s Sluice as it crosses over the railway line here in an unassuming pipe.

7. Pipe above ground

Figure 7. A glimpse of the Earl’s Sluice crossing the railway line in a pipe (photo © Walworth Society, Jeremy Leach)

At the end of Chilton Grove, we found the Earl Pumping Station, still helping to keep the Sluice and Earl Main Sewer flowing

We carefully ventured onto Plough Way, which was once known as Rogues Lane! Here off a side alley, we inspected two manhole covers. According to Tom Bolton, after rainy weather, you may hear the Earl’s Sluice rushing through the drains these cover.

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Figure 9. Another Earl’s sluice clue: two manhole covers showing where it still flows below out feet (photo © Walworth Society, Jeremy Leach)

10. 1761 map

Figure 10. In 1761, the Surrey Quays area was still open fields, with only one dock. The Earl’s Sluice ran next to Rogue Lane (now Plough Lane) flowing into the Thames near ‘The New Dock’

Our walk concluded at the South Dock, where the Earl’s Sluice meets the Thames. There is still a sewer outlet here on the foreshore of the Thames. Unfortunately we arrived at our destination 15 minutes before high tide so we could not inspect it ourselves. But it’s given us an excuse to return to the Earl’s Sluice in the future!

11. Thames

Figure 11. Where the Earl’s Sluice meets the Thames (photo © Walworth Society, Jeremy Leach)

Further reading:

London’s Lost Rivers: A Walker’s Guide by Tom Bolton

londonslostrivers.com/earls-sluice

stinkpipes.blogspot.com

oldmapsonline.org

layersoflondon.org/map

The story of Basher Bates

by Archivist Patricia Dark

On 6 June – the 75th anniversary of D-Day, then-Prime Minister Theresa May and French President Emmanuel Macron inaugurated the site of the British Normandy Memorial at Ver-sur-Mer, overlooking Gold Beach. When it’s finished, it will join the Normandy American Cemetery and Memorial at Omaha Beach and the Canadian Juno Beach Centre as places of remembrance and learning about the Normandy Campaign of World War II, codenamed Operation Overlord. The British Normandy Memorial will include the names of the 22,442 men and women of all nationalities who died serving under British command during Overlord. As the memorial’s website suggests, one of those names stands out: Corporal Sidney Bates. He is the only service member on the memorial to receive the Victoria Cross, Britain’s highest award for gallantry.

In Southwark, though, we know him better as Basher. This is his story.

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Sidney ‘Basher’ Bates

Sidney Bates was born on 14 June 1921, in Crown Street, Camberwell. He was the son of Gladys and Frederick Bates. Frederick worked as a rag-and-bone man, collecting materials like cloth, paper, bones, and metal for reuse and recycling. The family eventually included Sidney and his brothers Frederick, Alfred, and Albert and his sisters Gladys and Patricia; Sidney went to Camberwell Grove School, where he got the nickname “Basher” for his boxing skills. His family remember him as a quiet kid, unassuming but a merry prankster – and because of his quiet side, he usually got away with his pranks!

When he left school at 14, Basher went to work as a carpenter’s labourer. In June 1940, he joined the army, entering the 1st Battalion Royal Norfolk Regiment. Just before he shipped out, the family got together at the Sultan pub. He admitted his fear of what lay ahead to his mum before he left.

The 1st Royal Norfolks landed on Red Queen beach – the right flank of Sword Beach, near the city of Caen – at 7:25 AM on D-Day. They then fought their way through Normandy, the Low Countries, and Germany: a sphere of action known officially as the North West Europe campaign. General Montgomery, who commanded the 21st Army Group in which they served, claimed the unit was second to none. Sidney was no different, being promoted twice in the weeks after D-Day. On 13 July 1944 – the day before Bastille Day – he was promoted to lance-corporal, and two weeks later to acting corporal.

After breaking out of the D-Day beachheads, British units were fighting in the Norman bocage – a landscape of mixed pasture and woodland, where fields and narrow country lanes are sunken into the spaces between narrow ridges topped with high hedgerows which act as windbreaks for the livestock in the fields. It’s picturesque, and easy to defend – but incredibly hard to fight through.

On 6 August 1944, the 1st Norfolks were relieving the 3rd Monmouthshire Regiment near the village of Sourdeval. These units were holding a strategically critical salient on the Perrier Ridge – they were attacked in force by the 10th SS Panzer Division. Sidney was commanding a section (a group of 10 soldiers) at the right side of the left-forward company; he tried to move the section to avoid taking further casualties.

However, the Germans pushed deeper into the section’s position; eventually, Sidney’s section came under attack by 50 to 60 Germans armed with machine guns and mortars and supported by panzers.

A close friend of Sidney’s and the unit’s Bren gunner, “Tojo” Tomlin (nicknamed for his resemblance to the recently-ousted Japanese prime minister) died in his arms, hit in the face by machine-gun fire. That’s when Basher acted. He picked up Tojo’s Bren gun, got up, and advanced into the hail of bullets and mortars, firing from the hip. He was struck by machine gun fire and fell to the ground.

He got up, and continued advancing and firing.

He was hit, again, and got up again.

The third time, Sidney was hit by mortar shrapnel. This time, he couldn’t get up. Instead, he wrapped himself around his gun, firing at the enemy for as long as his strength held out.

But that was long enough. The Germans – perhaps shaken by Sidney’s determination – retreated to the sound of Sidney’s gunfire, leaving the position in the hands of the British. For his comrades, and many historians, his single-handed charge was the turning point of the battle.

Stretcher-bearer Ernie Seaman brought Sidney – badly wounded in the legs, stomach, and throat – from the field where he fell to a farmhouse nearby, which was being used as a forward field hospital. He died there two days later.

On 2 November 1944, Sidney’s Victoria Cross citation was gazetted: his parents collected the award in spring of 1945. They and Patricia (their only child left at home) had been bombed out of their home in Councillor Street, but refused to leave Camberwell. A public appeal for the family raised enough money to buy Frederick a new cart and pony, so he could keep working. He named the pony “Basher”.

Sidney has many memorials: the most obvious is his gravesite, plot XX 14E in Bayeux War Cemetary; his epitaph says that “[h]is parents proudly remember him as a true Camberwell Boy and a loving Son”. There’s also a monument to him in the field where he fell and a memorial bench on Camberwell Green. His nephew Chris is a stonemason, and laid many of these.

The memorial bench on Camberwell Green. Copyright Bernhard Bauer

The memorial bench on Camberwell Green (courtesy of Bernhard Bauer)

Others are less obvious. His charge also featured on the front page of volume 157 of the comic The Victor, first published in 1967; it was reprinted twice before the comic folded in 1992. But perhaps the most poignant memorial to Sidney is a cottage in Norfolk named for him; it’s one of six built by the regiment’s memorial trust to house their retired – and honour their fallen – comrades.

Today, on the 75th anniversary of his charge to save his mates, we remember Sidney Bates VC proudly, and hope that you do too. The Sultan pub is gone now, but maybe lift a glass to Basher Bates, a true Camberwell boy, a loving son, and a good comrade, wherever you are.

You can learn more about the British Normandy Memorial or make a donation at the Normandy Memorial Trust website.

Collection Creatives

by Wes White, Library Development Officer

The Collection Creatives meet at Canada Water Library every four weeks to hear the stories of objects from the Cuming Collection, brought by our Curator Judy Aitken, and respond creatively! Here are some of our outcomes from earlier in the year.

At the end of 2018 some of the Collection’s toys and games came to the library. We were especially intrigued by a ‘mutton bone doll’ collected by Edward Lovett. Children whose families couldn’t afford shop-bought dolls sometimes dressed up bones instead. They became very attached to them and Lovett approached a number of children before he found one who was willing to trade theirs with him. The girl who gave this doll to Lovett’s collection was offered a new ‘real’ doll in its place – but which was really more ‘real’?

2018 12 Toys and Games1

2018 12 Toys and Games2

In January we looked at artefacts related to tobacco, alcohol and other narcotics; including a snuff box, clay pipes and drinking vessels. This was a busy session but we only have a couple of pieces of work captured from it – if you were there and have sketches or note from the day, do send them to us to be included here!

2019 01 Narcotics

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February’s theme was jewellery, and the set included an emerald ring said to have been at one time a gift made by Charles I to his Gentleman of the Bedchamber Thomas Herbert, Victorian mourning jewellery, ‘Druidical’ beads marked as ancient (but we’re not sure…) and a necklace from Southern Africa which features a whistle said to charm away thunder.

2019 02 Jewellery

One of the jewellery pieces was a bronze ring found on the banks of the Thames, and in March we learned all about mudlarking – the riverside equivalent of beachcombing. In modern times this might be thought of as a recreational pursuit (albeit requiring a licence), but back in the 18th and 19th centuries children could be found scraping a meagre living from whatever they could find to sell in the mud – in what were dangerous and unpleasant conditions.

2019 03 Mudlarkers

And in April, to tie in with April Fools, our featured objects were all jokes and puzzles. The ‘Poisson d’Avril’ – April Fish – is a popular take on this in France. We have our own ‘Poisson d’Avril’ in France, which along with squirt rings, puzzle jugs and magic tricks inspired our Creatives in many different directions.

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Archive Volunteer Diaries: Everything in its Right Place

Back once again, it’s me Jennifer, here to talk about my volunteer work at the Southwark Local History Library and Archive (SLHLA).

One of the many reasons that I enjoy working in archives is that it appeals to my sense of order and organisation! In this post, I’m going to home in on one of the goals for my Press Cuttings Cull project, which I introduced in the last edition of this series, and that is reconciliation. Basically, this means that I’m keeping a careful eye on the contents of each folder as I sort through them, to make sure that the right articles are filed away in the right place.

When you open one of our filing cabinet drawers full of press cuttings, you’ll see that there are lots of different headings for each of the folders. It may seem random, but everything is classified using the Dewey Decimal System, same as libraries. So if you’re looking for a particular topic related to Southwark’s local history, you can start your search at one of our handy subject guides, which will tell you the number under which your topic has been filed.

Press cuttings1

There are SO MANY fascinating topics (that Ghosts folder was a fun read!)

I like to put myself in the shoes of a careful local history researcher who has come to SLHLA to uncover a key piece of information on their favourite topic, say Christ Church on Blackfriars Road. What if the one key piece of information that this researcher is hunting for has instead been filed in the folder for Christ Church, Bermondsey? Maybe another researcher was looking at both folders and the bits and pieces got mixed up, for example. Or what if a researcher wants information on one particular St Mary’s church, when there are lots of different St Mary’s around the borough?

I read through each press clipping to confirm that it is indeed the correct location, and if it needs to be moved, I pull out the other appropriate folder, and refile it there. That way, our researchers can know that when they grab a folder on their topic, that it has been checked to ensure it contains the correct info that they need.

Delightful Discoveries

Speaking of that Ghosts folder that I mentioned above, here are some of my favourite discoveries from those press clippings. Did you know that there were two reported poltergeists in Peckham? This spooky story describes how, in the late 1950’s through to the early 1960’s, a ghost appeared at a home in Peckham around Easter each year, “a greyish, fluorescent column of vibrating lights about as tall as a man.” And this ghost would light fires in around the home, or snatch objects from the homeowners’ hands.

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In another article, dating from 2002, reporters tell the story of the Peek Freans ghosts: production lines in the biscuit factory stopped running in the 1980’s, but “lights and machinery frequently turn themselves on and off for no reason.”

And lots more good ghost stories in this “Ghost Hunter of Camberwell” article from 2014.

Letters from Ernie: Private Ernest Parker of Rotherhithe in the First World War

By Jennifer Jamieson, Archives Volunteer
With thanks to Lisa Moss, Archives Officer

“Just a line to let you know I am going on alright. Hope you and all at home are the same.”

In 2014 the letters of Ernest Parker of Rotherhithe were donated by his family in digital form to Southwark Local History Library and Archive. Ernest Parker was born in 1893 to Thomas and Sarah Parker. It is likely that he left school aged 11 in 1904 after the death of his father and worked as a clerk for a produce packer.

Private Ernest Parker joined the British forces during the First World War, and embarked for Salonika in November 1916. He sent numerous letters back to his family on Hawkestone Road in Rotherhithe during his time in Greece, offering descriptions of the conditions that he was encountering, his hopes for a safe return home, and always, caring enquiries as to his many other family members (he was one of 8 children!) His notes were always signed affectionately using his nickname “Ernie.” Unfortunately, just as the hostilities had ceased and his return home was within reach, he was admitted to the military hospital with pneumonia and did not recover from the ailment, dying there on the 4th of February 1919. Right until the end, he was finding ways to send his affectionate best wishes back to his family, even asking one of the hospital nurses to write his final letter home.

Southwark Local History Library and Archive has many of these letters and Ernest’s Territorial Force identification card, showing that he was appointed to the Durham Light Infantry during the war.Ernest Parker’s Territorial Force identification card

At Christmas, Ernie sent his greetings back to his family, including this card that was addressed to his sister Ada, and an embroidered card for his Mum, Sarah Louise Parker.

Christmas Card from Salonika

Embroidered Chrismas Card "To my der mother"

Reporting back to his sister Beatrice (whom he called “Beat”) in December 1917, Ernie described his own Christmas season in Salonika, telling her “Well how did you spend your Christmas. We had a decent time here, turkey, Christmas pudding and a pint for dinner. The weather has been rotten here lately, raining nearly every day, up to your eyes in mud…”Letter to Beatrice 27 December 1917

In a letter to his Mum dated August 8, 1918, Ernie described his outlook, that he was soon “going to get leave, well I am in hopes getting it within the next few months or years. I am not sure which.” Yet a month later, in a letter dated September 14, 1918, he reported back to his Mum that “Well I thought we should stand a chance of getting a leave this year but what I see of it now I don’t think it will come off.”

But then another turnaround a few months later, as he wrote to his Mum on November 8, 1918 (image below), “As you say, we have been having some grand news lately. I don’t think it will be long now before it is finished. I don’t think it will be long now before we get home.”Letter from Ernerst to his mother 8 November 1918

He wasn’t able to get home for Christmas that year, but in January 2019, reported back to his Mum that his return home was within reach, save for a few bureaucratic details: “they have started demobilising from here and it is only by a bit of rotten luck that I am not away already. I received a letter from the firm saying that my job was still open but it was not stamped by the Local Advisory Committee at home and that is where the delay is coming in. A couple of chaps received the letters stamped and they were away a few days after. Some of the men over forty one are going home tomorrow.”

Around the same time, on January 21, 1919, he sent a letter to his older brother Tom, who was himself fighting in the First World War, showing that he was happily anticipating his return home: “Well old sport I think this about all I have to tell you now so hoping to see you shortly and wishing you the best of luck. I remain your affectionate brother, Ernie.”Letter to Tom, 21 January 1919

Unfortunately, the documents in our collections then show that for all of Ernie’s hope, optimism and readiness to return, he encountered  even more rotten luck shortly after these letters to his Mum and brother were written. His Mum received a letter written on February 2, 1919, at the military hospital in Greece, reporting that Ernie had caught pneumonia and that “he is very ill, he is getting all the care and attention possible.”Letter 2 February 1919 from Milieary Hospital in Salonika

But worse news was yet to come. On February 6, 2019, the hospital Chaplain sent Ernie’s Mum the unfortunate news that her son had died a few days earlier. In this letter, the Chaplain described how Ernie had shared his fondness for his family up until the end: “He spoke very affectionately of you all, and said he would love to get home. I did not like to tell him I thought he would die, for I did not want to depress him for fear it might go against any chance of recovery. I am greatly grieved about his death. For I had formed a very good opinion of him.”

Ernie had also made an impression on the hospital’s Sister-in-Charge, who also shared her fond words in a letter to his Mum on February 6, 2019: “I asked him the day before he died if he had been writing home, and he said “Yes”, so I said as he was not able to write himself, I would do it for him, And he was pleased, and said to tell you that he was “getting on all right” and to give you and his sisters his love. He was a good patient, always smiling till the last and was conscious right up till an hour or so before he died, which was just before midnight.”Letter from the hospital’s Sister-in-Charge 2 February 1919Blog 9

Ernest “Ernie” Parker received British War and Victory Medals and he was buried at the British Military Cemetery at Mikra, Thessaloniki, Greece “with full military honours”.

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Photo courtesy of Janis Birchall.

 

Archive Volunteer Diaries: Volunteering at Southwark Local History Library & Archive

Hello readers! This is Jennifer, and I’m a volunteer at the Southwark Local History Library and Archive.

Back in April, having worked on some projects for a non-profit arts foundation that involved researching old theatre records, I was inspired to seek out some new opportunities to get more involved in archiving. Given that my day job is just a short walk away on the South Bank, I thought that volunteering here would be a nice chance to give back to my “work neighbourhood,” while also giving me a great opportunity to embed in the craft of archiving and lJennifer 1ots of fascinating local history. I reached out to the lovely folks here to get involved, and they have kindly welcomed me into their family as a volunteer.

 It’s an amazing facility, full of resources like historic maps, local records, films, terminals with access to online databases, photographs of all sorts of places around the borough, and folders full of press clippings and pamphlets all related to the goings-on around Southwark, past and present. I’ve been popping in for a few hours on an almost weekly basis since early May, and in this Volunteer Diaries series, I will be sharing some of the stories and discoveries that I uncover.

Delightful Discoveries

Here was one of my early first Delightful Discoveries from the collection. The very first folder that I opened for my volunteer work contained a press cutting with a story featuring our own Archivist Patricia Dark! And what a neat story, all about how a passerby spotted “a big box of old Victorian documents, some from 1885, left out for bin men on Borough High Street” in 2016, a treasure trove and “really fantastic addition” for SLHLA.

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Other discoveries: Did you know that a life-sized stuffed polar bear disappeared from the Horniman Museum in 1948? This 2006 story in the museum’s press cuttings folder describes how the bear may have been loaned to a department store for a “flamboyant Christmas window display” in 1948, or perhaps it was sold to a dealer at that time. “The fate of the polar bear has long been of interest to us,” said the museum’s director, who was working to track it down. The article jokingly offers some hints as to where the polar bear could have ended up, taking the opportunity to roll-up a series of bear and snow-related locations around Southwark, including Bear Lane, Snowsfields in Borough, and Bermondsey’s Winter Lodge.

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From the Bermondsey Abbey folder: Did you know that Southwark was spelled as Sowthewerke in the days of Henry VIII?

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And finally, fans of street art will appreciate this historic nod to the craft in the Bermondsey Abbey press cuttings folder, describing how medieval graffiti was found during excavations of the abbey site.

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For as long as I can remember: Using film in reminiscence and outreach

by Lisa Soverall, Heritage Officer

For as long as I can remember, I’ve loved watching films. As a young girl I went to Saturday morning pictures at the Odeon Cinema in Elephant and Castle. The noise of the young excited audience was deafening, but somehow you managed to work out the plot of some cowboy and Indian film or ‘Lardy Hardy’ flick (my childhood translation of Laurel and Hardy) amongst the pea shooters, sticky gum and chanting. Cinema-going up the West End was rare and only if you were flush. So I tended to stay local, and between Peckham and the Elephant my enthusiasm for watching films was satisfied.

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Camberwell Odeon, Denmark Hill, 1955

Films have stood the test of time and, if seen in the cinema or as another type of theatrical screening, this medium is perhaps the only one where you cannot really rush it. You have to go at the film’s pace. You can’t swipe, skip, delete, forward, select or delete sections. You have to sit, wait and watch a film that will either have wasted your money and the last 90 minutes of your life, or will have completely immersed you in it, left you in awe, questioning, wondering and may even have rocked you, just a little. Whether you like or dislike a film, it has the power to change your emotions and awaken your senses and for some, bring to life memories and thoughts that were buried.

The first reminiscence session I organised using films from the Film Collection at Southwark Local History Library and Archive was in May 2017 at Camberwell Library, with the help of Storm Patterson, Screen Heritage Archivist from London’s Screen Archives. I was keen to organise a reminiscence session, having attended the LSA’s conference on using film as reminiscence in 2016. I did so, and just three people attended. Initially, I was disappointed. I’d done my preparations, choosing a suitable location, risk assessing, getting the signage just right, ensuring the refreshments were laid out and publicising the event as best I could. Storm provided a compilation of films and I provided a range of photographs on different themes relating to the Southwark area. So, where was everyone?

As well as having Storm from London’s Screen Archives, I was also lucky enough to have Anne Williams, volunteer with the Alzheimer’s Society with me that day. By observing Anne, I learned how to be person-centred when working with people with dementia. Anne patiently sat with a gentleman who watched the films and browsed the photographs and they struck up a beautiful conversation about his life and work.  Anne recalled that experience:

“I will never forget an older gentleman at Camberwell library who had cared for his wife with dementia until her death. The screening of local cinema footage evoked strong and happy memories of a Friday night ritual with his mother when they would visit the pictures, enjoy the films and interval music and then share some fish and chips on the way home.  He was moved to tears remembering this period of his childhood and I felt privileged to listen to his precious memories.”
Anne Williams, volunteer, Alzheimer’s Society, 2018

Between us three helpers we went on life journeys with our three elderly guests who enjoyed looking at the visual memorabilia which sparked their memories. It got me thinking… what a wealth of knowledge and history we have in this room!  It was Anne who reminded me that it was quality not quantity that mattered and wondered whether our guests or we, as helpers, would have got the quality of conversation and engagement had more people been there.

I learned a great deal from that experience, not least that ‘outreach’ means what it says – you must reach out, and certainly when working with people with dementia, being respectful of their physical and emotional needs is crucial in organising any event for them. So, one way I could achieve this was by reaching out to my audience and going to places where they are most comfortable.

In 2018 I had the pleasure of collaborating on many outreach events with local and other organisations as well as a local Nunhead artist, using films and photographs from Southwark Local History Library and Archive. I have worked with the Alzheimer’s Society delivering reminiscence sessions at their coffee and drop-in sessions at Time and Talents in Rotherhithe and at the Daffodil Café at The Green, Nunhead’s Community Centre. The people with dementia and their carers enjoyed watching the films (a selection of Bermondsey Borough Council and other local films) judging by the conversations that followed.

Memories were triggered about particular places featured in the films. The groups wanted to talk about their lives and how they remembered those places and share stories. I remember a conversation that started about East Street Market between a lady who was born in Jamaica and another who was born in Cyprus, both of whom had lived in Southwark for much of their lives. Neither was engaged in any conversation before the photographs of the market from the 1970s were passed around. “Do you remember the Sarsaparilla stall?” I asked them. Both studied the photographs in silence and then, their expressions changed.  “Ahh, yes!…” they said and from that moment the two were sharing memories. I couldn’t get another word in after that, nor did I want to.  It was so interesting listening to them and how they remembered East Street Market, especially the particular stalls.

“Thank you so much for taking the time to attend the Daffodil cafe today. Both the film made by the school children from the Walworth school and the hop picking film were ideal choices for our service users. They were engrossed in the plot of the first film as well as enjoying recognising local landmarks around Burgess Park.  For people unable to get to the cinema it was a unique opportunity to watch a relevant and suitably short film programme.”
Anne Williams, volunteer, Alzheimer’s Society, 2018

Being person-centred means putting the person at the heart of what you do. The preparation I do for the sessions involves asking the co-ordinator of the group to give me some information about the users – where they lived and when, what they did as jobs and what they would be interested in seeing again. Research into reminiscence sessions has taught me that just because someone lived through the Second World War doesn’t mean they want to be reminded of it! So, there are certain subjects I tend to avoid and I take my cue from those who know. It does help, however, if you know a little history about some of the resources you are handing out, as this too can start conversations and engage people.

That said, even if you know a little about your subject, it doesn’t necessarily mean you always get to say anything on the subject. I have also delivered reminiscence sessions at Blackfriars Settlement. These were very lively events, particularly during the film screenings where the audience would get a running commentary from one or two knowledgeable members of the audience. “That was where Peak Freans was, my mum worked there”, “That was the Town Hall”, “That’s Tower Bridge Road Market!” “You see all those trees, Ada Salter was responsible for those…” and so it went on. The knowledge of the audience was amazing and to be perfectly honest the audience answered many questions that I’d wondered about myself! Wonderful!

“What a great afternoon. Thank you so much. I love when my members get taken back to their yester years. It was magic. And, I thought the Children also learned a lot . On our tables, they couldn’t believe how Walworth Road looked before.  They loved listening to stories. And the little singalong was an added bonus…. Alice who is 97 in August and Veronica who is 92, were so happy talking about the good old days and looking at photos and the film. We should do this more often.”
Tina Johnston, Co-ordinator for Positive Ageing, Blackfriars Settlement, 2018

By the end of these sessions, groups of people would be reminiscing together, sharing photographs, sharing memories, laughing and singing. The atmosphere in the room was a completely different one by the time the session ended.

At one session, Tina Johnston, co-ordinator for Positive Ageing at Blackfriars Settlement arranged for a group of children from the local secondary school to join the reminiscence session. They were looking at photographs of the areas they lived in from 50 or more years ago. “That’s what the Elephant and Castle looked like over 100 years ago”, I said to one totally disinterested pupil. He glanced at the photograph, raised his eyebrows and said “Is it?” and proceeded to look through all of the photographs in silence and in awe. The banter between the older people and the school children was fantastic and both enjoyed each other’s company. Intergenerational reminiscing is a fantastic way to teach history to children.

For Black History Month this year, we invited Nunhead artist and co-founder of Women in Film SE15, Tracey Francis, to talk about her career as an artist and present two of her films – ‘Peckham Wall’ and ‘Landscapes of Girlhood’.

Watching ‘Landscapes of Girlhood’ was one of those times when my senses were awoken. This short but moving film, which gives a voice to 5 girls with learning difficulties left me and the audience quiet and reflective and the young people in the audience asked questions about how they might do what Tracey did. This is how you inspire, I thought.

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Tracey Francis presents her films at John Harvard Library for Black History Month 2018

My most recent collaboration was with LinkAge Southwark where, with the help of Catrin Waugh and her volunteers, we delivered a reminiscence session on the Kingswood Estate, using photographs and film to a very astute group of pensioners whose questions were coming in thick and fast. (I think I managed to answer most questions with the help of one or two local history books I shrewdly brought along – phew!)  The group were engaged in conversations around different themes, remembering cinemas, parks and markets and the film compilation finished off the session nostalgically. The group were a real pleasure to be with.

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Reminiscence session for the pensioners of LinkAge Southwark, Kingswood Estate November 2018. Photo courtesy of LinkAge Southwark / Catrin Waugh

The Film Collection at Southwark Local History Library and Archive is a fast growing one, now with around 215 titles, originating from different film and video formats on a variety of themes.  Included in it are information films that were made by the Bermondsey Borough Council from the 1920s to the 1940s, Southwark Council commissioned films from the 1970s to the 1990s on a variety of themes (e.g. redevelopment of  Surrey Docks in the 1970s, Elephant and Castle shopping Centre, elections etc), amateur films by cine enthusiasts like Brian Waterman and Richard Morgan, makers of the Brandon Estate Cine Club films, copies of broadcast television programmes and community films such as Tracey Francis’s.

All 215 titles are available to view on DVD free of charge within the archive during opening hours. All of the original film and video that is owned by Southwark Council (around 60 titles) has been digitised and is available to view online via London’s Screen Archives and its YouTube channel.  London Screen Archives is the virtual hub for the film collections of London’s archive repositories.

We are continually collecting films significant to the story of Southwark. So, if you have a film that you would like to deposit with us, get in touch. For details of all the titles available to view, visit our website or contact Southwark Local History Library and Archive on 020 7525 0232 or email local.history.library@southwark.gov.uk.

I would like to thank the following people and organisations for helping me to deliver reminiscence and other outreach sessions from the Southwark collections in 2018. I (and my colleagues with whom I share knowledge) have learned much from you and the outstanding work you do: Anne Williams, Sheena Ogilvie and Chloe Pardell from the Alzheimer’s Society, Caroline Clipson from Southwark Dementia Action Alliance, Tina Johnston and staff at the Blackfriars Community Centre, all the staff at The Green, Nunhead Community Centre, staff at Time and Talents, Rotherhithe, Sands Films Studios, Tracey Francis, Catrin Waugh and Gemma Kern from LinkAge Southwark.

Of course a big shout out to my colleagues, Patricia Dark, Chris Scales and Lisa Moss at Southwark Local History Library and Archive for their help and support. I look forward to future collaborations.

Southwark and the Mayflower Part 5: Borough

The area around Borough High Street was the focus of the Pilgrim church in London. The first Brownist church met near Long Lane to the east of the High Street, and there is evidence that the second church, administered by Henry Jacob (1616-22), was in the parishes of St Olave and St Saviour around London Bridge. The third church, of Henry Jessey, seems to have formed around St George the Martyr and in Bankside, to the west. The Borough was also the site of prisons where pilgrims were incarcerated in response to their demands for freedom of speech and assembly.

Southwark Cathedral

The cathedral’s origins are in the Priory Church of St Mary Overie, built in 862 AD. The priory became the parish church of St Saviour, and in 1905 was designated a cathedral. The Pilgrim church of Henry Jacob had members who worshipped at St Saviour (as well as in their gathered church) and in 1604, when Jacob was in prison in the Clink, a Mr Philips bravely manifested sympathy with his views in the sermons he preached here. In the north transept is the Harvard chapel, dedicated to John Harvard the Puritan, pilgrim and benefactor of Harvard University. Delftware pottery dating back to 1612 has been found In the Chapter House, providing a connection to the Dutch puritan community. The new North Entrance doors, by Wendy Ramshaw were designed around the theme of pilgrimage.

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Southwark Cathedral in 1813, when it was still St Saviour’s Church

The George Inn

This Borough High Street pub was in existence at the time of the Pilgrims and may have been used by them, (there was no temperance movement in the 17th Century). It is the only galleried pub left in London and is mentioned in the writings of Charles Dickens. Nearby are the sites of The White Hart Inn, (mentioned by both Shakespeare and Dickens), The Tabard Inn, (later the Talbot Inn) where Chaucer’s pilgrims met before setting out, and the Queen’s Head Inn, owned by the family of John Harvard.

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The George Inn in 1889

Angel Place

This alleyway, connecting Borough High Street to Tennis Street, was the address of the King’s Bench Prison, from where John Penry sent a letter in 1593, advising his followers to consider emigration. It also contains the remains of the second Marshalsea Prison, referred to in Charles Dickens’ Little Dorrit. The original Marshalsea Prison, where members of the Pilgrim Church were held stood 130 yards north of this point from 1373 until 1811. Adjacent to the alley is the John Harvard Library (also containing Southwark’s Local History Library and Archives) which bears a plaque in Harvard’s memory.

St George the Martyr Church and St George’s Garden

On the other side of Angel Place is the former churchyard of St George the Martyr Church, bounded by the Marshalsea Prison Wall. Henry Jessey was rector here, and in 1637 became pastor of the Pilgrims’ ‘gathered church,’ preaching at St George’s on Sunday morning and at the gathered church in the evening. Jessey is most well-known for his work with the Jewish community. An enthusiastic student of Hebrew, he used to correspond with Rabbi Mannaseh ben Israel in Amsterdam. Jessey successfully campaigned for the readmission of Jews to Britain and for the foundation of a college of Jewish studies.

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Plan of the area around St George the Martyr Church from Goad insurance map, 1887

 

Southwark and the Mayflower Part 4: Old Kent Road

The Old Kent Road has been an important thoroughfare since Roman times, connecting London to Canterbury and Dover. This short tour from Burgess Park towards Elephant and Castle takes in some Mayflower connections and a link to some much earlier pilgrims.

St Thomas-A-Watering, Old Kent Road

St Thomas-a-Watering is a very significant site in Southwark’s history, but it is easily overlooked amid the hustle and bustle of the junction of Albany Road with Old Kent Road. It was at this spot that pilgrims travelling from St Mary Overie (a predecessor of Southwark Cathedral) to the shrine of Thomas a Becket in Canterbury made their first stop to water their horses and take refreshment. The pond in Burgess Park was said to be where Chaucer’s Pilgrims took their horses for a drink.

St Thomas-A-Watering represented the southern boundary of the parish of St George the Martyr and as such also represented the limit of the City of London’s jurisdiction in Surrey. Once a year, the Lord Mayor and Sheriffs of the City of London rode in procession, all wearing scarlet gowns, over London Bridge to open Southwark Fair and to inspect the City’s boundaries at St Thomas a Watering. There is a plaque inlaid into the nearby former fire station that marks this spot.

The Mayflower connection comes from protestant martyr John Penry, who was executed here on 29th May 1593. His body was hung on a gibbet on the Old Kent Road. Some regard Penry, a Welshman, as the true founder of the Brownists, not Robert Browne. Penry sent a letter from the King’s Bench Prison, dated 24th April 1593, advising his followers to consider emigration. This is the start of the Pilgrims’ journey, first to Holland and then to America.

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Plaque marking the southern limit of the City of London’s jurisdiction

Bricklayers Arms Roundabout, New Kent Road

The Pilgrim Fathers Memorial Church, which originally stood at Deadman’s Place in Bankside was relocated in 1864 to Buckenham Square, close to this site. Its gardens were named the Mayflower Gardens and contained a memorial to the ship; a sundial set on a large stone with a panel depicting the Mayflower on one side. When the Bricklayers Arms flyover was built in the 1970s there was much disruption. The Pilgrim church moved to Great Dover Street but Mayflower Gardens was left behind, complete with its monument. St Saviour’s & St Olave’s School for Girls was built close by, and the memorial is now inside.

St Mary Newington Church, Newington Butts

The original site of this church is now occupied by a park on the west side of Newington Butts. Thomas Gataker was Rector here from 1584 to 1593 before he became Rector of St Mary Rotherhithe. Later, Thomas Wadsworth was Rector, as well as being Pastor of the Pilgrim church. Nearby “Newington woodes” was recorded as the site of the arrests of some of Browne’s followers.

P00349 St Mary Newington

Next week: The Borough

Southwark and the Mayflower Part 3: Rotherhithe

We’ve already explored the history of the Mayflower in Bankside and Bermondsey, and now we’ve come to Rotherhithe, which has more visible monuments to the story than anywhere in London. This is where master mariner Christopher Jones lived and worked and where the ship was finally broken up for timbers.  

Greenland Dock

Christopher Jones, the ‘Captain / Master’ of the Mayflower lived and worked in Deptford, yet his children were baptised at the parish church of St Mary, Rotherhithe. These two apparently contradictory facts help us to pinpoint the location of his home. We can tell from a map of Rotherhithe, drawn in the 1620s that the whole peninsula fell within the parish of St Mary, right down to the Deptford border, and that the eastern shoreline was uninhabited except for the site now occupied by Greenland Dock. A community flourished there, presumably because the natural inlet or creek could be used by ships. Thus the map shows fairly conclusively that this site was the only place that Jones could have been living. It is also very likely that this is where the Mayflower was berthed since the northern shore had no inlets, only a tidal beach.

However, the Mayflower could not have embarked with its cargoes and passengers from Rotherhithe. The Port of London tightly controlled all loading and unloading of cargoes. Furthermore, transporting passengers to the ship with all their possessions and cargo across the Rotherhithe Peninsula would have been very difficult. The only access from London Bridge even by 1696 was along the Redriffe Wall (which was only 10 feet wide) or along West Lane (only 9 feet wide). Historians have always been clear that the Mayflower began its famous transatlantic voyage from either Blackwall or Wapping. As Greenland Dock is nearer to Blackwall, this reinforces the majority opinion.

Christopher Jones Square, Lower Road

On the way from Greenland Dock to St Mary’s Church you might pass this garden, named after the master of the Mayflower. Lower Road contained an abundance of Nonconformist chapels, at least one of which had a connection with the Pilgrim Church.

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St Mary’s Rotherhithe

St Mary’s Church, St Marychurch Street

The church that stood here in 1620, when Christopher Jones and his crew worshipped inside was built in the 14th century. The building we see today replaced it in the early 18th century.

Jones is buried in the churchyard here, as are some other crew of the Mayflower. A plaque was installed inside the church in his memory in 1965 and a statue was unveiled in the churchyard in 1995.

In 2004 a blue plaque was installed on an outside wall recording the connections between the church and the Mayflower expedition, which are not limited to Jones and the crew. The Rector from 1611 to 1654 was the Puritan, Thomas Gataker. He had many Dutch contacts, including the Pastor of the Dutch church in London and visited the Netherlands in July 1620.

The Mayflower Pub, Rotherhithe Street

This pub, which stands just a few yards from St Mary’s Church very enthusiastically celebrates the Mayflower story. On the wall of the restaurant upstairs you can find a list of the Mayflower passengers. Unfortunately, it has no real connections with the Mayflower but an inn (originally known as The Shippe) has stood in the vicinity since Jones’s time.

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The Mayflower pub, c.1950

Sunbeam Weekly and the Pilgrim’s Pocket

This is a modern statue of a Puritan and a young boy surveying, ironically, the history of the USA since the Mayflower. Created by local artist Peter McLean and erected in 1991, it is a fascinating and amusing take on the Pilgrim story.

Surrey Lock, Rotherhithe Street

Rotherhithe was famous for its shipbuilding, ship-repair and ship-breaking businesses and the Mayflower was probably broken up along this stretch of the river. There was a large dry dock here by 1739-46 at the King and Queen Stairs and near what is now the Salt Quay pub was the John Beatson yard – Rotherhithe’s best known shipbreaker. In 1838 the HMS Temeraire was broken up here, and immortalised in a painting by JMW Turner. Surrey Lock, which now occupies this site, was built by the mathematical genius and engineer George Bidder.

Next week: Old Kent Road

 

Southwark and the Mayflower Part 2: Bermondsey

In the 17th century Bermondsey was home to a significant community of Nonconformists – Christians who wanted freedom from the established church in England. This movement is strongly bound to the story of the Mayflower, which we introduced in part 1. Some of Bermondsey’s more unusual street names are clues to this aspect of its past.

Potters Fields and Pickle Herring Street

Potters Fields is so called because of the Dutch potters who came to work here having fled religious persecution in Holland. It was the site of the earliest Delftware kilns in England, established around 1618 and the area became famous for producing a particular variety of Delftware called ‘Pickle Herring pottery’. The theory that the Dutch fondness for pickled herring gave the street and the nearby river stairs their name is unfounded. The precise origin is not known, but is much older.

Just as the Pilgrim church in Bankside was inspired by the Dutch merchant community across the river in Aldgate, so the Baptist, Brownist and Quaker meeting-houses in this area were probably inspired by the Dutch pottery community. As a further symbol of this connection, the Mayflower went on to join the Speedwell, which was hired in Holland, on its voyage to America.

St Saviour & St Olave Grammar School (now Lalit Hotel), Tooley Street

St Saviour’s School was founded in 1562. One of its pupils was Southwark’s most famous Puritan pilgrims to America, John Harvard. St Olave’s School was founded in 1571. This building dates from the late 19th century when the two schools merged, but it incorporates some architectural features that show a Nonconformist interest in science and philosophy, including Isaac Newton. Much of the building remains in its original state, with the headmaster’s study intact and the guest rooms being referred to as ‘classrooms’.

Robert Browne founder of the Pilgrim (Brownist) Church was the headmaster of St Olave’s from 1586 to 1589. Browne has been hailed as the ‘Father of the Pilgrim Fathers’ but the Brownists disowned him after he defected. His other title – the ‘Father of the first independent church in England’ – has held up better. The manuscripts signed by Robert Browne, binding him to good behaviour while he is headmaster can be viewed at Southwark Local History Library and Archive.

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The original St Olave’s School, where Robert Browne, ‘Father of the Pilgrim Fathers’ was headmaster

Janeway Street 

James Janeway was a charismatic Puritan minister and renowned author. A congregation of up to two thousand came to attend his services at the Jamaica Barn in Cherry Garden Street, mainly form the neighbouring parish of Rotherhithe. He was succeeded by another celebrated minister, Thomas Rosewell, who was found guilty of treason, allegedly for delivering a sermon that was highly critical of the King and his religion. In the 19th century the church had for its Pastor the Reverend John Farren, father of Eveline Lowe, who was one of Britain’s leading educationalists and the first woman to be in charge of London as Leader of the London County Council.

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James Janeway, Puritan minister of Bermondsey

Fountain Green Square

This is one of two locations where the Mayflower is likely to have been broken up at the end of its life. The other being Surrey Lock in Rotherhithe.

Next Week: Rotherhithe

Southwark and the Mayflower Part 1: Bankside

From November 2019 the London Borough of Southwark will be involved in a year-long commemoration marking the 400th anniversary of the voyage of the Mayflower. This ship sailed from England to America in 1620 carrying a range of passengers, some of whom were English puritans fleeing religious persecution. As well as being a touchstone of American history, this story resonates with contemporary themes of migration, tolerance and religious freedom.

If you walk around the northern part of this borough you will encounter numerous buildings, names and locations that are connected to the Mayflower story. Historian Graham Taylor has thoroughly researched and mapped all of these links and we will be sharing his findings with you in the coming weeks as we start the countdown to Mayflower 400.

Clink Street

Clink Street used to be part of the Bishop of Winchester’s Palace and the preserved remains of the palace’s Great Hall are still to be seen. The Clink Prison, dating back to 1144, was also part of the Palace. Several prominent members of the Brownist movement (followers of Puritan church leader Robert Browne) were imprisoned here for their beliefs. These included John Greenwood, Henry Borrowe, Francis Johnson and Henry Jacob. It was Jacob whose reformed church in Southwark was so crucial in facilitating the voyage of the Mayflower.

In 1961 the US Consul General, Donald Smith, unveiled a Plaque of Remembrance at Clink Street. The inscription read:

Fifty yards eastwards of this spot there stood the Clink Prison where in the years 1576 to 1593 JOHN GREENWOOD and HENRY BORROWE founded a church (today the Pilgrim Fathers Memorial Church) from those imprisoned for refusal to obey the Act of Uniformity of Worship. They, with John Penry, a member of the Church, were Martyred for Religious Liberty. Francis Johnson was the first Minister. This Church helped to secure the sailing of the Mayflower in 1620 and a number of its members were among the ship’s company. ‘Where the Spirit of the Lord is, there is Liberty’.

This memorial was the gift of Americans in London, some of whom were descendants of the Mayflower Pilgrims.

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The remains of Winchester Palace, Clink Street, c.1800. Today visitors can still see the  remaining walls of the Great Hall, including a magnificent rose window.

Deadman’s Place, Thrale Street

This was the site of Southwark’s Pilgrim Church from around 1640 to 1788. It consisted of a meeting-house and burial-ground just south of Park Street and adjacent to the original Globe Theatre. Here was buried Alexander Cruden, author of the Bible Concordance, useful ever since to Christians of all denominations. This Pilgrim church, stood in the premises later occupied by Barclay’s Brewery. It was included in Southwark Council’s 1970 Pilgrim Trail, and at present the remains lie under the Southwark Bridge car park in Thrale Street.

The Anchor Tavern

This pub is a surviving remnant of the huge Barclay Perkins Brewery, which covered the area from the Thames down to Southwark Street. In 1781 Robert Barclay bought the Anchor brewery for £135,000 from the Thrale family. The Barclays were themselves Nonconformists and the surviving Pilgrim Church therefore flourished in the cooperage of the Barclay Brewery.

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The Barclay Perkins Brewery, 1841

The Globe Theatre

In Park Street there is a plaque marking the site of the original Globe Theatre, built in 1599 by William Shakespeare’s playing company. This plaque was formerly on the wall of the Barclay brewery and close to the Pilgrim Church.  Shakespeare was clearly aware of the Brownist Pilgrims and undertakings across the Atlantic. In Twelfth Night one of his characters. Andrew Aguecheek says, “I had as lief be a Brownist as a politician.”

The Earl of Southampton, Shakespeare’s patron, was active in the Virginia Company  (a joint-stock company that established settlements on the coast of North America). An account was sent to the company when one of their ships bound for Bermuda was dramatically wrecked. This text clearly influenced Shakespeare’s play, The Tempest, and probably King Lear.

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Shakespeare’s Globe Theatre, near Park Street, c.1600

 

Next week: Bermondsey

 

‘Silent Raid’: The story of the lost houses of Burgess Park

by Sally Hogarth, Artist

Sally Hogarth Artwork cropped ‘Silent Raid’ is a series of house sculptures commissioned to commemorate the people and places impacted by a WWI Zeppelin bomb that landed on Calmington Road, which once stood where Burgess Park is located today.

Reminiscent of the terrace houses that were destroyed in the raid and of varying shades found in traditional red bricks, each house represents one of the lives lost in the incident, with each house; large, medium or small representing each man, woman and child.

Like the bands of colour used in mapping bomb damage, the shade of each house darkens with increased proximity to the bomb site. Every house is etched with a quote from documents and reports on the incident, both past and present. The art deco font used is inspired by the lettering on the original commemorative plaque. A new plaque can be found in Chumleigh Gardens in the centre of the park.

Calmington Road 1977 p9968

The process involved meeting with The Friends of Burgess Park and investigating their thorough research archive, including recorded photographs, social commentaries and interviews with survivors and families involved in the incident. Meeting with local historians at the Southwark Local History Library and Archives, I learned about the extent of the bomb damage that the area suffered along with news reports and archives of the unfortunate event.

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Damage to houses in Albany Road, 1917

After spending time in the park itself, I came to appreciate that the area where the park stands today had once been covered by buildings and houses which were destroyed by war. The absence of their existence and public awareness of this in the present day created a powerful feeling I wanted to convey in the work.

Another important issue I sought to address is the home face of war. The nature of this project is unusual in that it commemorates a war incident that happened on home soil rather than far away battlefields. In an age of a mounting refugee crisis, highlighting the living memory of the ground beneath our own feet facing bombs and destruction becomes a significant message.

A lot of the anecdotes and memories of the event had domestic contexts, from toys found amongst the debris, to fish and chips and piano playing. The contrast between these everyday, familiar and comforting images and the violence that disrupted them feels like a poignant crux of the incident.

This has been reflected in the project with the houses having an almost dolls-house feel. The scale of the houses, particularly the smallest, means that they have a certain vulnerability about them whilst the impressions on their surface that suggest windows and doors have a more sinister feel. The research included news reports that recall ‘windows hurled headlong’ and striking images of door frames standing empty without their doors.

Researching into Zeppelins and their bombs led me to find strangely colourful diagrams of the rings of their destruction. Also the records of WWI and WWII building damage in the Lambeth Archives used a gradient of colour to plot the severity of damage. This, paired with the difficulty of plotting the exact spot where the bomb landed, led me to the concept of creating a trail and colour code to the houses. The houses are scattered in a debris-like manner across the park darkening in colour with proximity to where Calmington Road once stood.

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Extract from the London County Council’s WWII bomb damage map series showing gradations in colour.

In all, I sought to ignite visitors’ interest to uncover the story of Calmington Road and the streets that once stood beneath their feet. I also aimed to create an experience for regular park visitors to discover a new house or inscription with each visit, creating a story that unfolds and is passed on between locals. The houses become a prop or a prompt for a story, to start a conversation that gets passed between park visitors and as such the story of this incident will be passed on to future generations.

Decolonising the Archive presents WIndrush Time Capsule at the Africa Centre

Decolonising The Archive (DTA) is an arts and heritage organisation dedicated to preserving and sharing the stories of the African diaspora in innovative ways. They research and present multidisciplinary programmes with the aim of stimulating public engagement with the past in order to affect the future.

Throughout 2018, DTA has been enjoying a residency at The Africa Centre in Southwark. Developing projects in a space which is proud of its past, yet passionate about the future has been a fantastic fit for their work, supporting DTA to push boundaries with programmes that have touched on everything from Dogon cosmology and Dancehall to Afrofuturism.

For Black History Month DTA will be presenting a play developed as a unique response to this year’s Windrush scandal. Focusing on the present and future legacies of the Windrush Generation. Playwright Connie Bella’s ‘Windrush Time Capsule’ draws on original archival sources to create a timely piece addressing the strong private and public reactions to this moment in history. In keeping with the themes of past and future, the play also provides a platform for promising young African and diaspora talent. The play is staged in collaboration with the promising young Director David Gilbert (S&K Project) and the fantastically creative Stage Designer Kaajel Patel. Part of the project will see a time-line installation exhibited in Canada Water Theatre and Library which will be freely accessible to the public. The installation will be accompanied by a learning resource aimed at learners from key stage 2 upwards.

The Windrush Time Capsule will be performed at the Africa Centre on Friday 26th October and Saturday 27th October. The associated installation will open for preview on Thursday 8th November and will be accessible until Thursday 29th November.

Sculptures by George ‘Fowokan’ Kelly

Q & A with playwright Connie Bella

How did George ‘Fowokan’ Kelly’s sculpture ‘Mitochondrial Eve’ inspire the play?

CB: In the field of Genetics, the Mitochondrial Eve is the most recent woman from whom all living humans descend in an unbroken line purely through their mothers, and through the mothers of those mothers, back until all lines converge on one woman. The artist George ‘Fowokan’ Kelly was inspired to sculpt a piece representing this and for me, his sculpture embraces the concepts of Mother, of memory and the forming of history through the feminine. Aspects of the play explore characteristics like nurturing, organizing and protecting which I believe this original female would need to have in order to secure a future for her lineage.

Fowokan is an avid collector of material relating to the UK black art scene among other things. Is this why you see him as a living archive?

CB: Although his collection of material is vast, I would say that Fowokan is an archive due to the experience he has amassed during the course of his life. He has travelled extensively and has had the opportunity to meet and learn from some extremely interesting and influential people. He is a self-taught artist, and for me, the process of teaching yourself anything preserves valuable information inside you which it is important to document and share.

You mentioned that Windrush Time Capsule is S+K’s launch production for Southwark. Will they be doing more in the area?

CB: Yes, this is their first production south of the Thames as most of their work is usually shared in North London. I know they are currently in talks for some exciting projects in Southwark next year so watch this space!

How can history, memory and community contribute to regeneration in Southwark?

CB: Southwark has a very rich history and over the years has become a very diverse community. I think times are very tough for many people in the UK as a whole, and especially in London as prices continue to rise and milestones like owning a property which used to be attainable are now out of reach for many. For me, it is an important time to be working with memory and history, reflecting on the past in the borough and beyond and remembering our tribulations and our triumphs. I think history has the power to enable us to consider situations in different ways and help develop solutions to the issues we face. Regeneration is not just the preserve of planning departments, it can apply to our mental outlook too.

Celebrating Vote 100: Suffragists in the Southwark Art Collection

By Curator Judy Aitken

On 6 February 1918 the British Parliament passed the Representation of the People Act by an overwhelming majority of the House of Commons (385 for and 55 against). This Act was one of the major milestones of a long and sometimes violent struggle for representation.

Wealth and class have had an impact for centuries on the right to voice opinion and, in formal democracies, to vote and, indeed, to be elected to represent people. Until the 20th century your right to vote depended on your social class and your gender.  In 1884 the right to vote was extended from 30% to 60% of all adult men, based on property and other rights.  It brought many more men from poorer backgrounds into the democratic voting pool. But women’s voting rights continued to be severely restricted.

The Municipal Franchise Act of 1869 gave some single women the right to vote in local elections only – and for this they had to qualify by living in a rated property and having paid rates for a year. Married women were specifically barred from voting, as they were considered femmes couvertes. The Local Government Act 1894 confirmed single women ratepayers the right to vote in local elections, and extended it to married women ratepayers, except a husband and wife could not both qualify to vote through residence at a single property. Where both were qualified, the man got the vote.

That is not to say women were not part of the political scene or campaigning social life.  Women actively took part in or drove many social reforms and improvements during the 19th century and early 20th century. But the one perhaps most contentious was the women’s right to vote, known as Women’s Suffrage.  The history of this campaign is long and full of both peaceful and forceful action on both sides, from campaigning women, from men supporters of the campaign and from those who resisted the demands. The women, above all, suffered a great deal as a result of harassment, attack, imprisonment and state-sponsored repression, with their treatment in prison little different from outright torture.

The violence lessened during the First World War, as everyone focussed on the war effort and women became more and more involved in occupations and responsibilities on the home front which had previously been only for men.  The war in effect gave women the chance to demonstrate to detractors that women could play a vital role in society beyond domestic life.

The passing of the Representation of the People Act is often seen as a “reward” to women for their contributions during the war.  It was certainly a little surprising given the massive resistance up to 1914.  However many people now think this takes away from the role of the suffragists and the result owed more to their effort and sacrifices than simply to a benevolent gift.

In truth the Act was only one of many needed to bring women into full political involvement.  The 1918 Act gave the vote only to women of property over 30 years old. About 22% of adult women over 30 did not have any property and could not vote.  In contract the Act increased the male vote to all men over the age of 21 (or 19 if the man had been on active service in the armed forces). However compromised the victory was hard won and was a huge step forward.

Southwark had its own organisations and campaigning heroes.  The United Suffrage Women’s Club opened at 92 Borough Road in November 1914 and continued to campaign during the war.  You can read more on this blog written by contributor Johnl.

Southwark’s archive and museum collections have only a small amount of suffrage related material. However, the borough’s art collection, formerly at the South London Gallery and managed by Southwark Council, also has several artworks by significant campaigners for women’s suffrage including Bertha Newcombe and Charlotte Elisabeth Babb.

Bertha Newcombe (1857-1947) attended the Slade School of Art in 1876. It is believed that she was one of the first women artist to train at the school. Following her successful arts training, Newcombe was a frequent exhibitor at the Royal Academy, Fine Art Society, Royal Institute of Oil Painters, Royal Institute of Painters in Watercolours, and Society of Women Artists, among other esteemed exhibiting societies. In 1888 she became a member of the New English Art Club.

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The Goatherd by Bertha Newcombe (1857 – 1947)

Newcombe was highly influenced by the artist Stanhope Forbes (1857-1947) and also by other artists associated with the Newlyn School. She was romantically involved with the playwright George Bernard Shaw and painted a series of portrait studies of him in her studio at 1 Cheyne Walk, Chelsea, in the spring of 1882.

Newcombe was a strong advocate for women’s rights, in particular their right to suffrage. She became a member of The Society of Women Artists, The Society of Lady Artists and The Artists Suffrage League; a collective of female artists who produced artworks and posters for the ‘Votes for Women’ campaign.

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Yesterday, Today, Tomorrow by Charlotte Elizabeth Babb (1830 – 1907)

Charlotte Elizabeth Babb (born Peckham 1830, d. 1906) was a female artist and sister to John Staines Babb, a mid nineteenth century decorative painter who is also represented by the Southwark Art Collection. Babb spent much of her career campaigning for equal rights for women, in particular their right to suffrage. In 1859 Babb started campaigning for the admission of female students to the Royal Academy schools and resulted in her own admission in 1861. Babb was among the first female students at the Royal Academy Schools. Throughout her career Babb exhibited widely with arts societies including the Royal Society of British Artists, the British Institution and the Society of Women Artists, among many others. She was a frequent exhibitor at the Dudley Galleries from 1862.

Babb produced oil paintings and watercolours in a typical Pre-Raphaelite mode and with a strong emphasis on female figures and associated subjects (such as the Annunciation and story of Saint Cecilia). Babb was also associated with the decorative Arts and Crafts movement through established figures such as ceramic pioneer William de Morgan. Babb’s fairly accomplished yet loosely Pre-Raphaelite style enabled her to migrate over the more stylised Aesthetic Movement will relative ease. It was within this more decorative art territory where Babb produced large commercial paintings directly onto ceramic tiles (which were made by Minton).

Babb exhibited works at the Walker Art Gallery (Liverpool) Manchester City Art Gallery (1881) and also the World’s Columbian Exposition in Chicago, USA (1893). Her paintings and drawings remain mostly in private collections. The Southwark Art Collection holds the only known publicly owned oil painting by her.

To find out more about the Vote100 commemorations taking place during 2018 visit the Vote100 project pages.

In addition as part of their regular talks series, Southwark Cathedral is having a day of talks devoted to women’s history on Saturday 24 March 2018.

More tales from the Mystery Object Group

by Wes White, Library Development Officer

Canada Water Library’s Mystery Object Group brings together creative individuals for sessions focused on one or more objects from the Cuming Museum, and other artefacts of local historical interest. The aim is to foster creative responses to the featured artefacts, and we share some of the outcomes on this blog.

Rotherhithe Pottery

The most recent group session was our second field trip, this time to the Rotherhithe Picture Research Library at Sands Film Studios. (To see outcomes from our first field trip, to see the press at the Printworks building, see our previous update.)

This field trip was part of November’s ‘Illuminate Rotherhithe’ celebrations. The Picture Library had a display about the 17th century Rotherhithe Pottery, which operated on the site of the old King Edward III mansion house. This and other potteries along the banks of the Thames often involved people who had moved here from the Netherlands, and they produced ‘English delftware’ using techniques made famous in and around the Dutch town of Delft. Cuming Museum curator Judy Aitken brought a selection of such English delftware found in Southwark.

Water Sprinkler

October included half term week and as a result we welcomed some children into the group to study a replica 16th century ‘water sprinkler’. We were all fascinated and somewhat bewildered by this device, which would have been used to wet dusty floors for sweeping. Placing or removing a thumb on the hole at the top would instantly stop or release the flow of water – although, as you will see in the writing, it seemed to the group to be a bit ‘over-engineered’. Seemingly these sprinklers were very popular hundreds of years ago, however, so they clearly made sense to our ancestors…

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Hops Warehouse Lantern

For many years, and well into the 20th century, the hops trade was a big part of the economy in Southwark. In September we had some examples of the trappings of the trade, including a sample packet of hops and a large candle holder. This lantern had spikes which would have enabled workers to secure it in the bags of hops – the group’s first impression of the device was that it looked vicious rather than practical, which again has certainly influenced our writing here.

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The ‘Veedee Vibrator’

The sexual connotations in the name of this bizarre-looking medical device are misleading. This and contraptions like it were sold in the late 19th and early 20th century as a kind of mechanical panacea – purported uses included treatment for rheumatism, gout, insomnia, tumours, constipation, deafness… the list goes on, but you get the idea. The ‘Veedee’ part of the name is thought to be a reference to the famous Latin idiom ‘Veni, Vidi, Vici’ – presumably on the basis it would ‘conquer’ any illness it came across. Tempting while it might be to think that the manufacturers also hoped to hint that the vibrator would also combat venereal disease, the term ‘VD’ in that context only came into usage in 1920, some years after this was on the market.

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The Poet’s Bridge in Rotherhithe

by Wes White, Library Development Officer

On Tuesday 5 December, the footbridge over Salter Road was named ‘The Poet’s Bridge’ in a short ceremony which also involved the unveiling of twin weathering steel plaques at its centre. The specific poet for whom the bridge has been named is David Jones, whose epic war poem ‘In Parenthesis’ was described by TS Eliot as “a work of genius” and by WH Auden as “a masterpiece”. It is a quote from this poem that now decorates the bridge:

“The returning sun climbed over the hill, to lessen the shadows of small and great things”

Jones was a visual artist as well as a wordsmith. These words are rendered in the shape of Jones’ calligraphic script and accompanied by a reproduction of his woodcut ‘Holy Ghost as Dove’. The panels were designed by the artist Parm Rai and finished at the workshop in Deptford. The work was funded by Southwark Council through the Bermondsey and Rotherhithe community council.

Plaque with shadows

The local area is significant in Jones’ life and in his writing. A section in his other great written work, ‘The Anathemata’, is titled ‘REDRIFF’; and this features the voice of Eb Bradshaw. In real life Eb was Jones’ grandfather – he was parish clerk of St Mary the Virgin in Rotherhithe, and a maker of masts and sails in the Surrey Docks. Furthermore, a character in ‘In Parenthesis’ is given no name but simply referred to as ‘the man from Rotherhithe’. Before the naming ceremony, Anne Price of the David Jones Society speculated that this character might stand for the author himself. It is therefore very appropriate that David Jones should be commemorated here.

The new name for the bridge, though, can also stand for all poets, and the bridge already has a lyrical history going back to the start of this millennium. Every spring half term for the last seventeen years, the staff of the nearby Rotherhithe Primary School have taken to the bridge to read poems aloud. Headmaster Mickey Kelly – who conceived of and organised the naming of ‘Poet’s Bridge’ with assistance from the ‘Cleaner, Greener, Safer’ fund – describes “letting the words hang in the Rotherhithe air”.

The lines quoted from ‘In Parenthesis’ refer to the minutes before the ‘zero hour’ of the battle of the Somme – the moment when the whistle would trigger the attack in the battle of the Somme – when “the world falls apart at last to siren screech”, as the poem has it. Whilst harking forever back to this moment, the words find new meaning on the bridge, where light shines through the stencilled iron and casts shadows where we walk.

Sign, looking over bridge

Southwark’s Public Health Pioneers part 2: The Peckham Experiment

In part 1 of this post Southwark’s Archivist, Patricia Dark discussed the state of the borough’s health in the interwar period and introduced the work of Bermondsey’s public health pioneers. In part 2 we’ll discover what was going on at that time in the south of the borough.

Peckham had its own Pioneer – the Pioneer Health Centre, better known as the Peckham Experiment. It was the brainchild of two doctors, George Scott Williamson and Innes Pearce. Both were essentially academic physicians, and the Experiment grew out of their work on thyroid disease in the early part of the 20th century. For Williamson, “health” was something that existed separate from and in opposition to illness – understanding what it was and how to maximise it was simply impossible only studying pathology. Pearce’s work in an infant welfare centre in Stepney convinced her that any study of health – and any grassroots effort to improve health – had to be informed by, and grounded in, the family.

The initial phase of the Experiment began in 1926, in a house in Queen’s Road, Peckham: Pearce and Williamson worked with a group of birth control campaigners to measure whether access to health information would usefully empower people to improve their and their families’ health. It was a private members’ club, where – uniquely – the basic unit of membership was the family, not the individual. Members had access to medical workups, pre and postnatal care, and other specialist clinics, as well as a children’s nursery, space to socialize, and advice and help with other problems.

This initial phase ended in 1930, as it became clear that health information wasn’t enough to make people healthy – they had to have access to healthy, health-promoting environments. While the experiment could not reach into individual homes, it could influence members’ free time. Fundraising and design for a place where members could meet their physical, social, and mental health needs began, and the new centre opened in 1936.

The new centre operated on the same lines as the old – a private members’ club, whose basic unit of membership was the family; “family” including the partners of adult children, as Pearce and Williamson viewed premarital counselling as a crucial part of the process of creating a new family. The fee was a shilling a week per family and an annual health overhaul for each family member.

The health overhaul was crucial, both to collect data for the experiment and to inform and empower users. Centre staff took a detailed medical history, physical examination, and a full set of laboratory tests, before a one-on-one consultation; a member of medical staff explained the results and provided information on any appropriate diagnoses and potential treatments. However, although the Pioneer offered referrals, it didn’t treat members; autonomy of the individual over their own life was both a paramount value of the staff and a cornerstone of the experimental design. Someone who did not want to seek treatment for a problem – or who had a problem for which there was no current treatment – would receive information and support to help live with it.

The health centre’s building was built between 1933 and 1935 by Sir Evan Owan Williams, the engineer famed for Manchester’s Daily Express building. It was built using modern structural techniques which allowed a maximal amount of open space; for the most part, the centre was open-plan. This allowed families to separate and engage in different activities, while (for instance) parents could still monitor their children without hovering – it also allowed staff to unobtrusively observe members. As the experiment progressed, however, the open-plan design helped create a community – one where adults supervised, guided, and admonished any child, and children could interact and learn from a much wider and more varied group of adults than their own nuclear families.

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The new centre in St Mary’s Road

The heart of the building was a swimming pool with a glazed roof. The centre’s café was to the side of the pool, separated from it by a wall with lots of windows. This gave mothers a place to chat – and provide informal support to each other – while keeping an eye on their children. There was also a gymnasium with a variety of apparatus: these were the two most appealing places for children in the building, but on opening they were allowed to use neither unsupervised – and their resulting frustration caused havoc in the newly-opened building. One member of staff, Lucy Crocker, discovered the solution – to allow children unsupervised use of these treasured places, provided they obtained signed permission from a staff member who was familiar with their abilities. This gave the researchers a chance to view them in their natural environment, as it were – they found that, not only did older children tend to watch out for younger ones, but more surprisingly, most children quickly found their own level of skill, and instinctively acted so they wouldn’t hurt themselves.

While sports and physical activities were a key part of the centre’s offering, it also offered space for reading and study, including a library, and space for a variety of classes and cultural opportunities. Crucially, staff did not plan and organise classes – that was the sole responsibility of members. However, staff would find space, tools, and materials for any group of members who wanted to learn, teach, or practice a skill, run an event, or hold a class. The one iron-clad rule was that nobody could claim space in the building for their private or group use without getting consent from other members.

To us, the Pioneer Health Centre seems like a bigger brother to a leisure centre: members could join exercise classes, or competitive leagues in sports and games like badminton, darts, and snooker. But the reality was that for many member families, the centre became an extension of their own homes: a place to hold parties, entertain friends, and even find a spouse! Knowledge and skills were passed between families and generations: fathers often used woodworking classes and clubs to make Christmas presents or hone DIY skills, and there were a variety of sewing circles to help new mothers clothe their babies as cost-effectively as possible – sharing child-rearing advice in the process.

The Centre’s heyday was the decade before the Second World War. Concerned at member families’ lack of access to high-quality nourishing food, the centre bought a farm in Bromley. Its small dairy herd, poultry farm, and arable fields provided organic milk, eggs, and produce at affordable prices: Williamson and Pearce were founder-members of the Soil Association. The farm also provided a place for members to work in the open, and space for camping. The centre also ran a school that attempted to apply the egalitarian, autonomous philosophy of the centre into practice in the realm of education.

However, the outbreak of war – and especially the beginning of the Blitz toward the end of 1940 – brought the centre’s life to a screeching halt. The farm was requisitioned by the RAF, and the centre was closed, as the very glass-heavy construction was both dangerous during an air-raid and difficult to black out. Although it reopened at the end of the war in 1945, it closed again, permanently, in 1950. Partly, this was due to financial problems – Peckham had been heavily bombed, and the building was in dire need of repair and equipment, leaving little money to run activities or recruit staff. Changes in the local population also didn’t help: Peckham had been heavily bombed, and the resulting displacement meant that many long-standing, active member families no longer lived in the area, while the population that now did was less able to spare the money for dues.

After the creation of the NHS in 1948, the centre petitioned unsuccessfully for central government funding. From Whitehall’s point of view, the centre was not free at point of service, and did not have an “open door” policy. On the centre’s side, the NHS was concerned only with the treatment of disease, not the cultivation of health, and the autonomous nature of the centre did not mesh well with the top-down bureaucracy of the NHS. Some members felt that the government felt threatened by a group of people who could organize and run such a large undertaking – especially one geared to personal autonomy and self-help – without the need for leadership.

However, the centre did have an impact. In part, that impact was shown by one shocking statistic: the annual health overhauls showed that only 10% of the membership were genuinely healthy. 30% of members had at least one illness, while the health of another 60% was impaired to some degree by symptoms of illness – often symptoms they didn’t realise they had.

This suggests that it is possible to function – even function well – in daily life when not completely healthy (or even unhealthy). However, the atmosphere of the centre – one where each individual’s right to make decisions about their own life was paramount, and where those choices were respected and validated – may well have helped people remain active and involved in their communities. Moreover, the sheer depth and breadth of activities available, and the support members had from staff and other members to access them, ensured that as many members as possible could stay active and involved – and therefore healthy. These are lessons that modern public health officials may do well to remember.

Southwark’s Public Health Pioneers part 1: Bermondsey

by Archivist Patricia Dark

Since the passage of the Health and Social Care Act 2012, public health has been a core function of local councils like Southwark. As Professor Kevin Fenton, Southwark’s Director of Health and Wellbeing, told the Spring 2017 edition of Southwark Life, this means that “…local councils have had responsibility for helping to improve the health and wellbeing of local people… not only through commissioning health services but also taking every opportunity to promote health through work with schools, housing, transport and many other areas.”

The basic idea behind this approach is to make sure that public health efforts reflect a local area’s specific concerns and priorities. A “one size fits all” solution doesn’t work for health – different communities have different levels of education, different cultural backgrounds, and even different patterns of disease. Public health awareness needs to be tailored to local cultural expectations, focus on the issues that are most likely to be harmful, and provided in language that everyone can understand. Very often, local authorities are best placed to adapt to local conditions, tailor messages to local cultures, and to serve local needs.

Two realisations underpin this shift toward joined-up, locally-based public health: first, that it’s simply cheaper and easier to keep people healthy than it is to make them healthy once they are sick, and second, health is more than not being sick. The preamble to the constitution of the World Health Organisation, which was ratified in 1946, defines health as “…a state of complete physical, mental and social well-being and not merely the absence of disease or infirmity.” Someone who has a chronic illness or disability who can continue doing the things they enjoy – who is able to have a full, fulfilling life – is likely to be happier, and mentally and emotionally healthier, than someone who cannot; conversely, someone who is not sick or infirm, but is unable to do the things they enjoy – for instance, because they lack transportation, high-quality housing, or easily accessible leisure facilities – is unlikely to be able to have a full, fulfilling life, and is therefore more likely to be in poor health.

So what does that have to do with heritage? As strange as it may sound, quite a lot! This new local focus also looks back: to the interwar period and some really pioneering work done in Southwark to improve the health of local communities. To understand how radical interwar public health in Southwark was, we need to look at what living conditions were like, and how they affected public health.

Historically, many areas of the modern borough of Southwark – including Bermondsey, Rotherhithe, Walworth, Camberwell, and Peckham – had grossly overcrowded housing that was in poor condition. During the industrialisation of the Victorian era, swathes of existing housing stock was demolished to make way for factories or transport infrastructure, notably railways; if it was replaced (often it wasn’t), it was by cramming new houses into front or back gardens, or spaces that had previously been stables. Beyond that, a housing crash in the early 20th century ensured that new housing was in short supply. To raise money, both landlords and tenants divided and sub-divided what began as single-family homes, splitting them into flats, then single rooms.

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Sultan Street and Dix’s Court in the 1930s

This meant that most of what’s now Southwark was vastly more crowded than even today. In 1901, for instance, the population density of the metropolitan borough of Bermondsey was 97.62 people per acre – in 2012, the population density of London as a whole was 4 and a half times less than that, at 21.39 people per acre. In 1939, on the eve of the Second World War, 15 million Britons – fully 39% of the country’s population – lived as families in less than 1 room. In the worst cases multiple families – had one room to eat, sleep, and live in. Entire streets were filled with rows of badly-ventilated, poorly-lit “back-to-back” houses off dead-end courts, with little space for children to play, adults to get air, or even to dry laundry. There was no privacy, and little peace.

Damp and dilapidation added to the problem. The most populated areas of Southwark are close to the river, in the Thames floodplain: until the creation of the Thames Barrier in the early 1980s, storms and tides caused regular Thames floods. Houses lacked damp-proofing, and in Bermondsey – most of which was below mean high tide level – foundations were constantly wet. This meant that many houses, most of which had lathe-and-plaster interiors, had enormous damp problems.

Damp problems were made worse by the general disrepair of housing stock. At the outbreak of the First World War, three-quarters of the country lived in privately rented housing, so, just like today, rogue and negligent landlords were a problem: in some cases, a landlord might not even know they owned a property. Lack of building supplies, skilled tradesmen, and capital on landlords’ parts – an unintended side-effect of rent controls – meant that even good landlords found it hard to keep properties in good nick.

Poor quality, overcrowded housing meant poor sanitation. Most working-class housing pre-dated running metropolitan water, and so lacked specified bathrooms or indoor toilets. Subdivision of single-family houses meant the kitchen became another all-purpose living space for a family, while other living spaces lacked plumbing of any kind. Alternatively, the kitchen could be shared by the entire house. In either case, finding the time, space, heat, water, and privacy to have a bath could be all but impossible. In some flats in Bermondsey, 5 families – up to 30 people – shared a single outdoor toilet, accessible only through the kitchen on the ground floor. In all these cases, keeping house, clothes, and people clean was a vicious uphill battle – which meant the families dwelling there were constantly exposed to a variety of germs and vermin.

Southwark’s working-class families faced other hurdles to staying healthy. The first was that a high proportion of jobs involved casual manual labour – for instance on the docks. Although dockers were highly skilled, they were usually hired for short periods – a single ship, a week, or even by the day. Wages weren’t high – and more importantly, they were unreliable, making it very difficult to budget or plan spending. Because of this, families often had to eat as cheaply as possible. Eating cheaply was usually monotonous, but also lacking in balanced nutrition; then as now, fresh fruit and vegetables were often prohibitively expensive. In the interwar period, cheap food could even be dangerous: cheap milk usually came from cows who hadn’t been tested for TB. Bovines often don’t show signs that they’re ill, and can silently carry TB, shedding the bacteria in their milk. A child drinking that milk could acquire the infection, often in the bone – which could cripple or even kill.

All of the problems with housing, sanitation, and nutrition we’ve discussed created a population whose general health and immune function wasn’t very good at the best of times: to put it simply, social conditions created a population who got sicker, quicker, for longer. Even more importantly, these conditions meant that the health of individuals and communities was on a knife-edge: any sort of hard times – a father out of work for a single family, a strike for a community – could and did create serious illness and suffering.

Different areas of the modern borough were healthier than others. Specifically, Camberwell as a whole was healthier than either area to the north – probably because of its relatively well-off, relatively spacious southern end – and possibly even healthier than London as a whole. However, it’s important to recognise that even relatively healthy Camberwell had death rates that are far higher than modern British ones andthat we would now associate with the developing world. Interwar Southwark was a deeply unhealthy place, that much is clear – and people at the time knew it.

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Dr Alfred Salter and his daughter, Joyce

And some pioneers decided to fight back. In Bermondsey, Alfred and Ada Brown Salter, respectively a prominent local physician and an equally prominent social worker and labour activist, lived in Storks Road – near where Bermondsey Tube station is now – with their daughter Joyce, born in 1902. Joyce was a ray of sunshine for all of Bermondsey – everyone knew her and was fond of her. But in 1910, when she was 8, Joyce caught scarlet fever for the third time. Nowadays, we call it a “Group A strep infection”, and it’s easily treated with antibiotics. But then there weren’t any – even sulfa drugs were nearly two and a half decades away. Joyce had all the love and good wishes her family and community could give: Ada and Alfred had to hang signs on their gate to update the borough, or else well-wishers would knock or ring at all hours. But that wasn’t enough, and she died in June 1910: people in Bermondsey said that their ray of sunshine was gone.

Joyce was Ada and Alfred Salter’s only child. When she died, they turned their grief into anger and their anger into action. They met with Evangeline Lowe, Ada’s best friend, and made a simple vow: the three of them would run for office at all levels of government – borough, county, and Westminster – and win. Then, together, they would do their best to, in the words of Bermondsey Labour’s 1922 manifesto, “…make Bermondsey a fit place to live in. We shall do everything we can to promote health, to lower the death rate, to save infant life, and to increase the well-being and comfort of the 120,000 people who have to live here, Bermondsey is our home and your home. We will strive to make it a worthy home for all of us”.

That meant new housing, demolishing the old, crumbling back-to-backs. New parks, like the one in St James’s churchyard, in Thurland Street, which opened in 1921: Arthur Carr, the chairman of Peek Frean’s, gave it a beautiful covered slide, the Joy Slide, that delighted local kids into the 1970s. New plants – trees planted along every verge, flowers in the parks grown in the council’s nursery in Fairby Grange, Kent, and flowers for everyone in Bermondsey with a window box to grow them in.

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Ada Salter and other dignitaries pictured with the Joy Slide, 1922

Health care was another major plank in Bermondsey’s revolution. Fairby Grange was also a mother-and-baby and convalescent home: originally the Salters bought it for Alfred’s patients and conscientious objectors, but quickly donated it to the council. There was an aggressive anti-TB campaign, featuring mass X-ray screening in clinics or via a mobile service, and paid-for beds at a sanatorium in Switzerland. Bermondsey also launched an aggressive public health information campaign. Potential learning experiences were everywhere: a backlit slide-table while waiting at a clinic, leaflets into homes, even bookmarks with health slogan slipped into every book the library service issued! The public health service put floats into parades and made its own public information films. The 1925 Medical Officer of Health reports that the borough had started school exams in hygiene and home nursing – starting as early as possible to improve health.

In our next post we will look at the work of the Pioneer Health Centre in Peckham

 

 

 

Discovering Southwark’s LGBTQ+ History

This weekend Southwark Local History Library & Archive are taking part in the ‘Talking Back’ LGBTQ+ History and Archives conference at London Metropolitan Archives. In preparation for this and in celebration of 50 years since the partial decriminalisation of homosexuality in 1967 we have been delving into our collections to discover what we hold to tell the histories of LGBTQ+ communities in Southwark.

We hold records for one of the earliest community, council and police-consultative groups in the country to begin tackling homophobia openly, the Southwark Anti-Homophobic Forum that launched in 1995 – still running today as the Southwark LGBT Forum. We also have an archive of the fascinating ‘Southwark Sappho’ lesbian newsletter, produced in 1993 by the Southwark Women’s Centre in Peckham and catering to the needs of a diverse local lesbian audience.

Other collections we discovered include photographs from World War One of soldiers in drag entertaining the troops in ‘concert parties’ abroad, including the incredible Kenneth Lowndes as Cinderella. We also have a watercolour painting from 1935 that shows an extremely rare-depiction of street drag performance, showing a drag troupe performing their high-kicks routine accompanied by barrel-organ on the back streets of Peckham.

We hold many council flyers promoting services to Gay & Lesbian people in Southwark including the launch of the ‘First ever day for Lesbians and Gays in Southwark’ which took place in 1988. We also hold photographs of Southwark’s float in Pride parades in London, as well as copies of an incredible photographic exhibition on the history of Pride in London 1972-2005 produced by Pam Isherwood for the Southwark LGBT Network.

New additions to the collection include Oral History interviews with key local figures including: Stephen Bourne, a prominent gay author and founder of the Anti-Homophobic Forum; Sue Sanders, another member of the forum and founder-member of ‘Schools OUT’ and LGBT History Month; and gay ephemera collector James Gardiner who brought the 1930s love story to the world of upper class Architect Monty Glover and his life partner Bermondsey boy Ralph Hall in his book ‘A Class Apart’.

To enable users to more easily discover these and more we have created a new LGBTQ+ Communities Collections Guide and will be launching a new online gallery showing some key items in the collection. Here is a selection:

Kenneth Lowndes

These photographs from 21st London Regiment soldier Harry Milner’s scrapbook show Kenneth Lowndes in drag. He was part of the 60th Divisional Concert Party ‘The Roosters’, one of many such theatre troupes who formed during World War One to entertain their fellow troops when stationed abroad. The Roosters formed in 1917 in Salonika and went on to become one of the longest-lasting and popular concert parties, made famous to home crowds across the nation via performances broadcast on BBC radio, and performing to audiences up to the late 1950s.

The Follies Concert Party

The Follies - 47th Division concert party The Follies 1916-1919 (Southwark A52 collection)

This photograph shows the 47th Divisional Concert Party ‘The Follies’, one of many such theatre troupes who formed during World War One to entertain their fellow troops when stationed abroad. They performed a variety of comedic and variety pieces, and one popular song performed by two ‘ladies’ vying for the love of one gentleman was ‘Wonderful Girl, Wonderful Time’ from the 1916 musical Houp-La. The Follies often wore dinstinctive green and black pierrot costumes although this photograph depicts them in character roles.

Turkish room at Bermondsey Public Baths

Bermondsey Public Baths 1, Grange Road 1927 (PAM 613-47 BER) Turkish Baths

The public baths on Grange Road in Bermondsey opened in 1927 and were a very grand affair designed in ornate fashion to enable the poor of the borough to wash. While the baths performed their public function very well, the Turkish baths and Russian steam room in the basement also took on another role as a notorious and tolerated homosexual rendezvous. Before the days of open homosexuality public baths such as these were well-known cruising and homosocial spaces, especially as many were open late at night with little supervision. Bermondsey became quite famous in queer circles with even carry-on star Kenneth Williams commenting that having been there for ‘traditional interest’ in 1958 he found it ‘quite fabulous’.  [For further information on the London public baths in this context see Matt Houlbrook’s excellent book Queer London]

The Street Entertainers Move On

The Street Entertainers Move On, 1935 by Winnie Collins (SC 942.16422)

This watercolour was painted by 18-year-old Winnie Collins for a school competition in 1935. It is a rare depiction of a troupe of Drag entertainers who performed on the streets of Peckham. Female impersonation in theatre was common at this time, especially in the ‘soldiers in skirts’ that existed in theatrical units of the armed forces in World War One. During the 1920s and 30s some of these continued entertaining on stages across the UK and street entertainment drag was common in the working class areas of South and East London.

Southwark LGBT Forum

The Southwark LGBT Forum is a partnership organisation originally formed in 1995 as the Southwark Anti-Homophobic Forum, a panel including representatives from Southwark Council and local councillors working in collaboration with Southwark Police to address problems of homophobia in the borough. Our collections for the Forum include materials from 1995-2011 covering their community outreach work and also project materials for LGBT History Month and Pride.

Southwark Sappho

These pages are from the Lesbian Newsletter ‘Southwark Sappho’ produced by the Southwark Women’s Centre on Peckham High Street from 1993-1994. The newsletter and related group aimed to provide ‘non-separatist support’ for all lesbians, running drop-in sessions and events considering issues such as racism in the lesbian and gay community as well as promoting local services and events taking place across London.

 

Southwark’s Blue Plaque nominees 2017: Southwark Charities

Voting has opened for this year’s Southwark Heritage Association Blue Plaques scheme. There are seven worthy nominees, of which only one will get a plaque this year. But who are they and why should they get your vote? To help you decide we’re featuring one nominee per week over the 7 weeks of voting.

This week, read on to discover more about Southwark Charities.

Southwark Charities is an organisation with a history spanning four centuries, starting with a man called John Wrench, a tenant farmer who lived in the vicinity of what we now know as Stamford Street. In 1603 he left a bequest for the maintenance of the poor people of his home parish of Christchurch. This was the first of many charitable gifts and legacies that would form the Southwark Charities.

Over the course of the following 382 years 47 different charities were formed within Southwark with similar aims. The most recent was the Joseph Collier Holiday Trust, which started in 1985. From the 19th century onwards the older charities had begun to form unions, and in 2010 all of them were brought together to form the organisation we see today.

Southwark charities 3One of the more significant early charities was founded by Edward Edwards and this year is the 300th anniversary of his death. In 1717 Edwards left the leases of his land and buildings to trustees, the income of which was to be used for charitable purposes. Some of the money raised was used for the construction of almshouses in the area bordered by Church Walk (now Burrell Street) and Charles Street (now Nicholson Street). The almshouses were rebuilt in 1895 with an inscription from one of the original buildings set into one a new wall. They were rebuilt once more in the 1970s and were officially opened in 1973 by Princess Anne. The new building, Edward Edwards House is now the headquarters of Southwark Charities.

Southwark Charities almshouses

In addition to the traditional functions of providing accommodation and maintenance grants for older people, Southwark Charities also delivers social and community events such as day trips, visits to the theatre, garden parties, and week-long holidays at a specially adapted holiday village. The number of participants in these outings and holidays in 2015 was almost 700.

In Summary:

A 400 year legacy of charitable works in Southwark, showing that the people of this borough have always looked out for each other. Will you #VoteSouthwarkCharities?

Voting ends on 15 September 2017. You can vote by emailing Southwark Heritage Association: admin@southwark.org.uk or the Southwark News: owen@southwarknews.co.uk. You can also vote in person at all Southwark libraries and at both the Mayflower, Rotherhithe Street and Half Moon, Herne Hill.

Southwark’s Blue Plaque nominees 2017: The Half Moon

Voting has opened for this year’s Southwark Heritage Association Blue Plaques scheme. There are seven worthy nominees, of which only one will get a plaque this year. But who are they and why should they get your vote? To help you decide we’ll be featuring one nominee per week over the next 7 weeks of voting.

This week, read on to discover more about The Half Moon

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The Half Moon has had more celebrities pass through its doors than any other pub in this borough. In recent years musicians like Kate Tempest, Anna Calvi and La Roux have made important debuts here. The pub has also been a major comedy venue, attracting performers like Eddie Izzard, Omid Djalili and former local resident Jo Brand. To some, it would be performances by the likes of U2, Van Morrison and the Police in the 1980s that make the Half Moon worthy of a blue plaque, while if you are a fan of folk music, the 1960s were the pub’s heyday, when acts like Bert Jansch and Gerry Lockran performed for the proprietors Ed Parslow and Charles Pearce.

Stepping back a little further, the 1950s was the era of one of the pub’s most celebrated regulars, the poet Dylan Thomas, who may well have named his famous drama Under Milk Wood after nearby Milkwood Road. He was one of many Welsh visitors who came for a drink and a sing-along after matches played by the London Welsh Rugby Football Club. The team had their home at nearby Herne Hill Velodrome, where drinking was not permitted by the landlords, the Dulwich Estate.

The land on which the Half Moon stands is also owned by the Dulwich Estate, (formerly Alleyn’s College of God’s Gift). An inn has stood here since the 17th century. One particularly longstanding and enterprising tenant, John Webb was somehow in the possession of the original tombstone of the Elizabethan actor and founder of Dulwich College, Edward Alleyn. The stone had apparently been used by Webb and his father before him as a talking point for visitors to the pub’s tea gardens. It was presented back to the college in 1844.

The imposing grade II* listed Jacobean revival edifice we see today was built between 1894 and 1896 to designs by local architect James William Brooke. It boasts a number of fine interior features, including six newly restored back-painted mirrors depicting aquatic birds. After four years behind builders’ hoardings these features can now be seen again. The Half Moon reopened in March 2017 and in May hosted its own Dylan Day celebrations in honour of the Welsh poet.

In summary:

South London’s premier music venue for half a century, frequented by poets and an official asset of community value. Will you #VoteHalfMoon?

Voting ends on 15 September 2017. You can vote by emailing Southwark Heritage Association: admin@southwark.org.uk or the Southwark News: owen@southwarknews.co.uk. You can also vote in person at all Southwark libraries and at both the Mayflower, Rotherhithe Street and Half Moon, Herne Hill.

The Walworth Heritage Action Zone (HAZ)

by Walworth Heritage Action Zone Project Manager, Stephanie Ostrich

Heritage Action Zones are a national initiative launched by Historic England in 2017 with the aim to unlock the power in England’s historic environment to create economic growth and improve quality of life in villages, towns and cities. Walworth has a hugely rich history and the Heritage Action Zone is an opportunity to celebrate the unique historic character of this urban village and has the potential to make greater use of its heritage to support the social, economic and environmental needs of the area. The Walworth HAZ was announced in November 2017 and was the first in inner London.

The Walworth Heritage Action Zone (HAZ) is a five-year partnership running until 2023, overseen by the London Borough of Southwark and Historic England. The project is largely funded with grants from Historic England and Southwark Council, with significant contributions from the Walworth Society. Other partners include Southwark and Lambeth Archaeological Excavation Committee (SLAEC), Museum of London, Creation Trust, London South Bank University, Lendlease and Notting Hill Genesis.

The Walworth HAZ is an opportunity to deliver a variety of research, community, conservation and improvement projects with a single vision. The project aims to protect the special character and social vitality of Walworth, to proactively manage and enhance its unique heritage assets and put heritage at the heart of delivering sustainable growth. We will be working with local people and partners to breathe new life into old places that are rich in heritage and full of promise – unlocking their potential and making them more attractive to residents, businesses and tourists. Projects we will deliver include drafting management guidance and seeking funding to invest in improvements to historic buildings and public realm, participating in community exhibitions and events like the Walworth History Festival, running training workshops for community members and our partners, and establishing a South London Young Archaeologists Club.

Bermondsey honours the village of Lidice: A story for Holocaust Memorial Day

By Patricia Dark, Archivist

On 27 May 1942, two SOE-trained soldiers, acting on the orders of the Czechoslovak government-in-exile, attacked Reinhard Heydrich, the military dictator of Czechoslovakia. He died of his wounds a week later. Heydrich, the “Butcher of Prague”, ruled Czechoslovakia through the cruelty of summary execution and the terror of concentration camps. He was also one of the main architects of the Holocaust: he organised Kristallnacht, formed the Einsatzgruppen, carried out the Nacht und Nebel decree of forced disappearance, and chaired the Wannsee Conference that outlined the plans for genocide.

The reprisal for his assassination was swift, and brutal. The Gestapo suspected that residents of Lidice, a mining village about 15 miles from Prague, were hiding those responsible for the attack, because men from the village were serving with the Czechoslovak armed forces in the UK. Just after midnight on 10 June 1942, Nazi police surrounded Lidice and the villagers were rounded up. 173 men were taken to the Horák family farm and shot; another 19 who weren’t home were arrested and executed later.

Lidice’s 203 women and 105 children were taken to the village school, then the town of Kladno. 184 women were sent to Ravensbrück concentration camp. 88 children were sent to Łódź, where those considered “suitable for Germanisation” were separated, to be sent to orphanages and later placed with German families. The remaining 82 children were sent to Chełmo on 2 July 1942 and gassed on arrival. Even all of Lidice’s animals were killed.

The Nazis then tried to destroy all trace of the place called Lidice. They burned the village buildings and blew up the remains, dug up the local cemetery and destroyed the bodies. Forced labour crews then removed all trace of remains and rerouted the roads and a local stream. At the end of the war, 143 women returned home to Lidice, and after a 2 year search, so did 17 of the village’s children. They were the only survivors of the 503 villagers living there in June 1942.

The Nazis openly boasted about annihilating Lidice on Radio Berlin; the world responded with horror and defiance. A year after the massacre, in June 1943, the Metropolitan Borough of Bermondsey hosted a memorial concert for the village on the bombed-out site of Bermondsey Town Hall in Spa Road. A choir of Czechoslovak servicemen sang and Foreign Minister-in-exile Jan Masaryk spoke.

On Holocaust Memorial Day, we remember the people of Lidice, and all the other victims of genocidal persecution. And we remember those who helped create new homes for survivors. By remembering, we hope to create a better and more just world.

You can find out more about the Lidice Memorial organisation and the museum here.

Photographs of the Lidice memorial service from Southwark Local History Library and Archive

Memorial Service for Lidice at Spa Road bomb site on 10 June 1943. Crowd of people stand around a raised stage surrouned by flags and bunting against the backdrop of bomb damaged houses

Memorial Service for Lidice at Spa Road bomb site, Bermondsey on 10 June 1943

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Czechoslovak servicemen sing at Bermondsey’s Lidice memorial service

Czechoslovak servicemen in uniform from sing at Bermondsey Bomb site. Children sit watching from nearby roof.

Czechoslovak servicemen sing at Bermondsey’s Lidice memorial service as local children observe from nearby roof

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Jan Masaryk, Deputy Minister of Czechoslovakia makes a speech at Bermondsey’s Lidice memorial service

Collection Creatives

by Wes White, Library Development Officer

Collection Creatives is a new group meeting once a month at Canada Water Library, in the spirit of the Mystery Object Group.  At each meeting we hear the stories of a group of objects from the Cuming Collection from the Curator, Judy Aitken; with time given to respond creatively to the artifacts in writing, artwork, or however group members are inspired.

Tiger Skull

In our first meeting in September 2018, we focused on the skull of a tiger from the Royal Surrey Zoological Gardens  – as well as an image of a tiger at that zoo, being visited by Queen Victoria.

tiger 01tiger 02tiger 03tiger 04tiger 02 jean batestiger 03 maria sestini

tiger 04 alison clayburn

Egyptian amulets

In October, a selection of ancient Egyptian amulets was brought to the group, and we heard the stories of some of the beliefs associated with them, including the fact that some of them were believed to be the key to a safe passage to the afterlife, while others representing dangerous animals like snakes and hippos were also supposed to confer protection from those animals.

 

Scrimshaw

For the Illuminate Rotherhithe festival in November, we had a special evening session in which we learned about scrimshaw in the collection and the link to whaling hundreds of years ago in the local docks. Scrimshaw is whalebone which was often carved by sailors in quiet times between sightings of their prey. Herman Melville describes scrimshaw in Moby Dick as “Lively sketches of Whales and Whaling scenes, graven by the fishermen themselves on Sperm Whale teeth or ladies’ busks wrought out of the Right Whale bone and other Scrimshander articles.”

scrimshaw 04 wes violascrimshaw 01 janet dunning

scrimshaw 05 preetha leela chockalingam 1

scrimshaw 05 preetha leela chockalingam 2

by Preetha Leela Chockalingam

Scrimshaw 06 Peter LePetit

Collection Creatives meets next at Canada Water Library on Tuesday 22 January  2019, where we’ll be learning about some of the objects in the collection related to smoking and drinking! The group, which is free to join, welcomes anyone in the local area seeking creative inspiration, from beginners to professionals. And as you see, if you take part, your work could feature on the Southwark Heritage blog!