by Lisa Soverall, Heritage Officer
For as long as I can remember, I’ve loved watching films. As a young girl I went to Saturday morning pictures at the Odeon Cinema in Elephant and Castle. The noise of the young excited audience was deafening, but somehow you managed to work out the plot of some cowboy and Indian film or ‘Lardy Hardy’ flick (my childhood translation of Laurel and Hardy) amongst the pea shooters, sticky gum and chanting. Cinema-going up the West End was rare and only if you were flush. So I tended to stay local, and between Peckham and the Elephant my enthusiasm for watching films was satisfied.
Films have stood the test of time and, if seen in the cinema or as another type of theatrical screening, this medium is perhaps the only one where you cannot really rush it. You have to go at the film’s pace. You can’t swipe, skip, delete, forward, select or delete sections. You have to sit, wait and watch a film that will either have wasted your money and the last 90 minutes of your life, or will have completely immersed you in it, left you in awe, questioning, wondering and may even have rocked you, just a little. Whether you like or dislike a film, it has the power to change your emotions and awaken your senses and for some, bring to life memories and thoughts that were buried.
The first reminiscence session I organised using films from the Film Collection at Southwark Local History Library and Archive was in May 2017 at Camberwell Library, with the help of Storm Patterson, Screen Heritage Archivist from London’s Screen Archives. I was keen to organise a reminiscence session, having attended the LSA’s conference on using film as reminiscence in 2016. I did so, and just three people attended. Initially, I was disappointed. I’d done my preparations, choosing a suitable location, risk assessing, getting the signage just right, ensuring the refreshments were laid out and publicising the event as best I could. Storm provided a compilation of films and I provided a range of photographs on different themes relating to the Southwark area. So, where was everyone?
As well as having Storm from London’s Screen Archives, I was also lucky enough to have Anne Williams, volunteer with the Alzheimer’s Society with me that day. By observing Anne, I learned how to be person-centred when working with people with dementia. Anne patiently sat with a gentleman who watched the films and browsed the photographs and they struck up a beautiful conversation about his life and work. Anne recalled that experience:
“I will never forget an older gentleman at Camberwell library who had cared for his wife with dementia until her death. The screening of local cinema footage evoked strong and happy memories of a Friday night ritual with his mother when they would visit the pictures, enjoy the films and interval music and then share some fish and chips on the way home. He was moved to tears remembering this period of his childhood and I felt privileged to listen to his precious memories.”
Anne Williams, volunteer, Alzheimer’s Society, 2018
Between us three helpers we went on life journeys with our three elderly guests who enjoyed looking at the visual memorabilia which sparked their memories. It got me thinking… what a wealth of knowledge and history we have in this room! It was Anne who reminded me that it was quality not quantity that mattered and wondered whether our guests or we, as helpers, would have got the quality of conversation and engagement had more people been there.
I learned a great deal from that experience, not least that ‘outreach’ means what it says – you must reach out, and certainly when working with people with dementia, being respectful of their physical and emotional needs is crucial in organising any event for them. So, one way I could achieve this was by reaching out to my audience and going to places where they are most comfortable.
In 2018 I had the pleasure of collaborating on many outreach events with local and other organisations as well as a local Nunhead artist, using films and photographs from Southwark Local History Library and Archive. I have worked with the Alzheimer’s Society delivering reminiscence sessions at their coffee and drop-in sessions at Time and Talents in Rotherhithe and at the Daffodil Café at The Green, Nunhead’s Community Centre. The people with dementia and their carers enjoyed watching the films (a selection of Bermondsey Borough Council and other local films) judging by the conversations that followed.
Memories were triggered about particular places featured in the films. The groups wanted to talk about their lives and how they remembered those places and share stories. I remember a conversation that started about East Street Market between a lady who was born in Jamaica and another who was born in Cyprus, both of whom had lived in Southwark for much of their lives. Neither was engaged in any conversation before the photographs of the market from the 1970s were passed around. “Do you remember the Sarsaparilla stall?” I asked them. Both studied the photographs in silence and then, their expressions changed. “Ahh, yes!…” they said and from that moment the two were sharing memories. I couldn’t get another word in after that, nor did I want to. It was so interesting listening to them and how they remembered East Street Market, especially the particular stalls.
“Thank you so much for taking the time to attend the Daffodil cafe today. Both the film made by the school children from the Walworth school and the hop picking film were ideal choices for our service users. They were engrossed in the plot of the first film as well as enjoying recognising local landmarks around Burgess Park. For people unable to get to the cinema it was a unique opportunity to watch a relevant and suitably short film programme.”
Anne Williams, volunteer, Alzheimer’s Society, 2018
Being person-centred means putting the person at the heart of what you do. The preparation I do for the sessions involves asking the co-ordinator of the group to give me some information about the users – where they lived and when, what they did as jobs and what they would be interested in seeing again. Research into reminiscence sessions has taught me that just because someone lived through the Second World War doesn’t mean they want to be reminded of it! So, there are certain subjects I tend to avoid and I take my cue from those who know. It does help, however, if you know a little history about some of the resources you are handing out, as this too can start conversations and engage people.
That said, even if you know a little about your subject, it doesn’t necessarily mean you always get to say anything on the subject. I have also delivered reminiscence sessions at Blackfriars Settlement. These were very lively events, particularly during the film screenings where the audience would get a running commentary from one or two knowledgeable members of the audience. “That was where Peak Freans was, my mum worked there”, “That was the Town Hall”, “That’s Tower Bridge Road Market!” “You see all those trees, Ada Salter was responsible for those…” and so it went on. The knowledge of the audience was amazing and to be perfectly honest the audience answered many questions that I’d wondered about myself! Wonderful!
“What a great afternoon. Thank you so much. I love when my members get taken back to their yester years. It was magic. And, I thought the Children also learned a lot . On our tables, they couldn’t believe how Walworth Road looked before. They loved listening to stories. And the little singalong was an added bonus…. Alice who is 97 in August and Veronica who is 92, were so happy talking about the good old days and looking at photos and the film. We should do this more often.”
Tina Johnston, Co-ordinator for Positive Ageing, Blackfriars Settlement, 2018
By the end of these sessions, groups of people would be reminiscing together, sharing photographs, sharing memories, laughing and singing. The atmosphere in the room was a completely different one by the time the session ended.
At one session, Tina Johnston, co-ordinator for Positive Ageing at Blackfriars Settlement arranged for a group of children from the local secondary school to join the reminiscence session. They were looking at photographs of the areas they lived in from 50 or more years ago. “That’s what the Elephant and Castle looked like over 100 years ago”, I said to one totally disinterested pupil. He glanced at the photograph, raised his eyebrows and said “Is it?” and proceeded to look through all of the photographs in silence and in awe. The banter between the older people and the school children was fantastic and both enjoyed each other’s company. Intergenerational reminiscing is a fantastic way to teach history to children.
For Black History Month this year, we invited Nunhead artist and co-founder of Women in Film SE15, Tracey Francis, to talk about her career as an artist and present two of her films – ‘Peckham Wall’ and ‘Landscapes of Girlhood’.
Watching ‘Landscapes of Girlhood’ was one of those times when my senses were awoken. This short but moving film, which gives a voice to 5 girls with learning difficulties left me and the audience quiet and reflective and the young people in the audience asked questions about how they might do what Tracey did. This is how you inspire, I thought.
My most recent collaboration was with LinkAge Southwark where, with the help of Catrin Waugh and her volunteers, we delivered a reminiscence session on the Kingswood Estate, using photographs and film to a very astute group of pensioners whose questions were coming in thick and fast. (I think I managed to answer most questions with the help of one or two local history books I shrewdly brought along – phew!) The group were engaged in conversations around different themes, remembering cinemas, parks and markets and the film compilation finished off the session nostalgically. The group were a real pleasure to be with.
The Film Collection at Southwark Local History Library and Archive is a fast growing one, now with around 215 titles, originating from different film and video formats on a variety of themes. Included in it are information films that were made by the Bermondsey Borough Council from the 1920s to the 1940s, Southwark Council commissioned films from the 1970s to the 1990s on a variety of themes (e.g. redevelopment of Surrey Docks in the 1970s, Elephant and Castle shopping Centre, elections etc), amateur films by cine enthusiasts like Brian Waterman and Richard Morgan, makers of the Brandon Estate Cine Club films, copies of broadcast television programmes and community films such as Tracey Francis’s.
All 215 titles are available to view on DVD free of charge within the archive during opening hours. All of the original film and video that is owned by Southwark Council (around 60 titles) has been digitised and is available to view online via London’s Screen Archives and its YouTube channel. London Screen Archives is the virtual hub for the film collections of London’s archive repositories.
We are continually collecting films significant to the story of Southwark. So, if you have a film that you would like to deposit with us, get in touch. For details of all the titles available to view, visit our website or contact Southwark Local History Library and Archive on 020 7525 0232 or email email@example.com.
I would like to thank the following people and organisations for helping me to deliver reminiscence and other outreach sessions from the Southwark collections in 2018. I (and my colleagues with whom I share knowledge) have learned much from you and the outstanding work you do: Anne Williams, Sheena Ogilvie and Chloe Pardell from the Alzheimer’s Society, Caroline Clipson from Southwark Dementia Action Alliance, Tina Johnston and staff at the Blackfriars Community Centre, all the staff at The Green, Nunhead Community Centre, staff at Time and Talents, Rotherhithe, Sands Films Studios, Tracey Francis, Catrin Waugh and Gemma Kern from LinkAge Southwark.
Of course a big shout out to my colleagues, Patricia Dark, Chris Scales and Lisa Moss at Southwark Local History Library and Archive for their help and support. I look forward to future collaborations.