When you come home after work or school, what do you do? Turn on the lights, put the kettle on, start making dinner…? Maybe you play some music, or, if you really want to relax, turn on a dehumidifier. All these processes require the flick of a switch or press of a button to turn on electricity. It is these everyday, routine actions that remind us of the continual significance of Michael Faraday, who’s discoveries on electromagnetic induction enabled the development of electricity and its wide spread use across the world. Today we celebrate his 230th birthday, marking the date 22 September, 1791 when he was born.
In the 1830s, Faraday was building on the research of the scientific community into electricity. He discovered that a magnetic field could produce an electric current, paving the way for generators to produce electricity and transforming how electricity could be applied to technology. Faraday’s discovery of electromagnetic induction has reverberated through the years to the point that, now, his principles are continuously put to use, from using our phones to driving a car.
Faraday is considered a giant of the scientific community due to this discovery and his contributions to the understanding of electromagnetism and electrolysis: no one can doubt the relevance of his legacy in our everyday lives.
But nowhere is his legacy felt more on a physical scale than in the borough of Southwark. Take a walk around the borough, and you will find his name in several places. He was born in Newington Butts (around Elephant and Castle, now part of modern Southwark) but his family moved to north London soon after and so, there is not much said about his time in Southwark. Despite this, Faraday may be the most prominent of Southwark’s former residents: From his ambiguous blue plaque on Larcom Street (which gives no hint as to why it is located there), to Michael Faraday Primary School, Faraday Gardens and even an entire Electoral Ward named Faraday, Southwark remembers the scientist.
His legacy is loudest and shiniest in the middle of Elephant Square thanks to the Michael Faraday Memorial. This is not a public toilet, an ill-timed realisation that many (myself included) have come to, but is, more appropriately, an electricity substation for the Northern and Bakerloo tube lines that go to Elephant and Castle. The modernist architect Rodney Gordon designed a stainless steal box structure emulating the endless possibilities of science hailed in by Faraday and his contemporaries, and in 1961 it was constructed in proximity to Faraday’s birthplace. There is not a lot of visible interpretation that explains the Faraday connection and many pass the monolith everyday without acknowledging the reason behind its existence. Despite this, the memorial is still considered an iconic part of Elephant and Castle. In the 2012, Southwark Council implemented a new disco-themed lighting scheme that reflected pinks and purples off its stainless steel sides, following a nation-wide competition to improve public space. This Blue Peter competition was won by a local schoolgirl who wanted to see the memorial lit up in colour.
This year, another dedication has been made to Faraday further down Walworth Road where the Southwark Heritage Centre and Walworth Library has recently opened – here you can experience one of Faraday’s electromagnetic experiments.
Walk through the doors of the library, go up the stairs, and you will discover at the very back a room you probably weren’t expecting. The walls are lined with copper, and it is dimly lit with two low hanging lights, creating the atmosphere of a secretive World War 2 bunker. This is a real Faraday Cage, invented by Faraday in 1836 to block electromagnetic fields. The effect of this is used in microwaves and to protect planes from lightening. In the library, it stops you from accessing the internet while in the meeting room. Visitors to the library will be able to book the room (Covid allowing) and immerse themselves in an authentic experience free from the distraction of phones and the Internet. This experience is supported by a display of objects from the Cuming Collection that were owned by Faraday: his watch, a family bible with notes marking births and deaths, and a disk dynamo (which was shown at the 1851 Great Exhibition) as well as a bust of his likeness – all creating a personal insight into the man behind the science. These are set next to another display of early 19th century scientific instruments, illustrating the transformative scientific world that Faraday and his contemporaries both were shaped by and contributed to.
Readers can use the Faraday Room to get their scientific fix and be inspired by the wonders of physics and electricity. The placement of this room in a library, surrounded by books, has more meaningful depth than meets the eye. Faraday did not have a formal education, but left school early to work in bookbinding. While surrounded by books, he discovered his passion and drive for science and looked to improve his knowledge through reading and attending lectures. We are left with another of Faraday’s legacies: the legacy of the joy of learning, discovery and experimentation, which was key to Faraday’s success and enduring memory; and can now be discovered in the Southwark Heritage Centre and Walworth Library.
In 2014 whilst working in Southwark Archives, an ex-colleague Steve, came to me with a card from the card index and asked me if I knew anything about the details on it. On the card was the title of a film – My Little Grey Home in the West by John Goldschmidt, a student of the National Film and Television School. The card stated that the council’s social services had purchased a copy of the film and it was shown at a Welfare Committee meeting on 13th January 1970. The film was about Newington Lodge Public Assistance Institution for the homeless, a portrait of some of its residents. The film was released in 1968, one year before its demolition. I will return to this…
From orphanage to infirmary to workhouse to homeless institution to lodge
Throughout its history, Newington Lodge changed its name and its use several times. Although from 1852 it was the Workhouse for St Mary Newington parish, run by the Governors and Guardians of the Poor, the building started life in 1850 as a children’s home and school. The need for workhouse accommodation however, was becoming desperate and the children resident there were moved to a District school in Anerley. The new workhouse which replaced the overcrowded one on Walworth Road opposite the present day Westmoreland Road, was designed by Henry Jarvis (the same architect who designed Newington Vestry) and constructed on the other end of Westmoreland Road, near to Thurlow Street. It occupied the area of what is now Latimer Block (opposite the Hour Glass pub) on the Aylesbury Estate. The area was called Walworth Villa Estate and was part of Walworth Common.
Men and women were housed in opposite parts of the workhouse. The infirmary was located roughly in the middle and there was accommodation for around 500.
Being sick, having a mental illness, being too old to care for yourself or unemployed and without the financial means to help yourself left you little choice in finding shelter, food or care in 19th Century London. A spell at the Workhouse was the last or only choice, particularly if you were single and unmarried with children. However, the 1834 Poor Law Act which was brought in to overhaul the poor relief system introduced a more robust administrative system in England and Wales. Local parishes formed Unions and within these were an elected body of Guardians, each with the responsibility of the care of the poor across their individual parish.
The new act contributed towards a change in attitudes toward the poor and their predicaments were seen as self-inflicted. The Workhouse would be seen more as a deterrent and a place to work in order to earn food and shelter. The new act meant that it was now unlawful for any poor able-bodied unemployed man or woman to claim poor relief (though outdoor relief remained for widows, children and the sick).
Conditions at workhouses up and down the country are well documented and St Mary Newington Workhouse was no different. Sharing bathing water and towels, skin infections, poor quality diet, back-breaking work, high mortality rates and poor sanitary conditions are just some of the experiences reported. There was an open sewer, part of the Earl Sluice, situated by the shed of the workhouse which also happened to be the place that the very sick were sent for fresh air and separation from other inmates. It was not difficult to see why people felt that they were in a prison, their crime being poverty.
Moreover, being given the term ‘inmate’ which was the general description given to residents at workhouses and asylums and carried out into the 20th Century, undoubtedly contributed to a general stigma and prejudice that existed toward the poor. So much so that it was not uncommon for people to record alternative addresses for babies born in one.
The discovery of “unclaimed” bodies at St Mary Newington Workhouse being sold to the Anatomy School of Guy’s Hospital by the Workhouse master, Alfred Feist and his collaborator and undertaker, Robert Hogg, showed the dispensability with which those in power could treat the poor. However, this discovery proved to be a major scandal for the Southwark Board of Guardians, particularly as it was revealed that the relatives of those who had pauper funerals were defrauded. The coffins were filled with stones or the bodies of their relatives substituted with the bodies of other inmates (The St James’s Chronicle, 21 January 1858). Adding insult to injury, during their trial at the Central Criminal Court in 1858, Hogg escaped prosecution owing to a deal between his solicitor and the Poor Law inspector, while Feist, although found guilty of collusion, was freed on a point of law which basically said the relatives did not originally specify that they didn’t want their deceased relatives dissected. Careful what you do not wish for.
During the 1860s and 1870s a number of extensions took place at Newington Workhouse to accommodate the increasing number of poor, sick and homeless people. For example in around 1866 a 2-storey female ‘vagrant’ ward was added.
In 1869 St Mary Newington and St George the Martyr Parishes joined St Saviour’s Union. So the administration of St George’s, Mint Street, Christchurch, Marlborough Street and Newington Workhouses came under one Board of Guardians. (It’s worth pointing out that St Mary Newington Guardians remained the owners of the buildings used for poor relief in their parish, which meant that St Saviour’s Union paid St Mary’s rent, which they in turn could use to improve the Walworth Common Estate). A new female infirmary with laundry and bakery was built along Thurlow Street.
By 1877 it became necessary to convert Newington Workhouse into an Infirmary for the large number of sick in the St Saviour’s Union area. Outbreaks of smallpox still blighted the Infirmary and overcrowding soon became not just a health issue but a nuisance to the local residents, who endured the sight of daily removals of dead bodies from the Infirmary. The Infirmary now had in excess of 1000 inmates. Meanwhile, a new, larger infirmary was built on Champion Hill in 1887 and the sick poor were soon moved there from Newington Infirmary. The mother of screen legend, Charlie Chaplin, stayed there in 1896. A seven year old Charlie and his brother stayed in the Newington Workhouse along with some 1300 inmates.
Children’s activities in the workhouse varied; girls mainly did household work and learned the duties of being a housemaid which would see them fit for work outside of the Workhouse. Boys were educated and given religious instruction and taught skills like blacksmithing.
Apart from another change in name in 1899 to Newington Institution, possibly as a result of the formation of the metropolitan boroughs, the building’s purpose was unchanged. It was still run as a workhouse, though now under the administration of the new Southwark Board of Guardians as the day to day administration of the former vestries was transferred to the Metropolitan Boroughs of London. Further alterations and additions were made in the turn of the 20th Century. One of them being the married couple’s quarters and a few years later it would be possible for older couples to make their own meals!
However, overcrowding and understaffing continued to be a major problem for the workhouse. The treatment of inmates was still archaic and often cruel.
Newington Institution survived World War I largely unscathed, though it did its bit like many large establishments in helping the war effort by providing accommodation for the sick and injured and recycling food by-products for munitions.
By 1929 with the introduction of the Local Government Act, Workhouses were replaced by Public Institutions and the Board of Guardians replaced by the London County Council (LCC) and a new Public Assistance Committee. The new committee assumed responsibility for the workhouses of Gordon Road, Christchurch and Newington. One of the major changes during the 1930s was to no longer admit the mentally ill. They were sent to asylums. Single men, women and the elderly infirm were still admitted. Other aesthetic changes were made, including the inclusion of radios, flowers, a reduction in the number of beds, lockers for residents, bed side chairs, table cloths and so on. Crucially, from around 1937 residents were allowed leave for the day.
Newington Public Institution suffered extensive bomb damage during the Blitz in 1941 but it carried on housing residents and provided accommodation for families made homeless as a result of bomb damage to their homes. Like elsewhere food rationing was a fact of life. By 1947 the over 60s had free movement and whilst bomb damage repairs were being undertaken, there was a reduction in beds which accommodated the elderly, infirm, healthy and a small unit for expectant mothers. From 1948, with the introduction of the National Assistance Act, the Institution became temporary accommodation for homeless people and families.
Changes and conversions continued apace in the 1950s, mainly to try and remove reminders of the workhouse days, though it was impossible to do that for the exterior of the building, which remained imposing and drab. It was renamed Newington Lodge, replacing ‘Institution,’ a term reminiscent of workhouse days. Televisions and new upholstery were introduced and further extensions and modifications were made for elderly couples.
For all the praise Newington Lodge received for these positive changes, the conditions in which its homeless families were purported to be living was becoming an ever increasing issue in the late 1950s and 1960s, gaining the attention of television broadcasters and the press much to the increasing irritation of the LCC, who felt that it was an intrusion into the lives of the elderly and homeless.
“Up to three families are crammed into one room at Newington Lodge, and the rooms contain up to thirteen beds. Edna shares two toilets with sixty-four other people….
…the doctor told Edna that there was dysentery “in the walls” and warned her to keep her children as clean as she could” (Families Without A Home, by Jeremy Sandford , The Observer, 17th September 1961).
In 1966 the new London Borough of Southwark were more amenable and gave permission for the BBC to film in the old hostel block of the Lodge. This surely added to the perception of an archaic institution, still stuck in the past, when scenes from the film were used in the controversial docu-drama Cathy Come Home, a film about homelessness.
By the mid 1960s, the number of elderly, infirm and homeless families accommodated was down to around 15. Even though the old area of Walworth Common, including Newington Lodge was now earmarked for redevelopment for the building of the new Aylesbury Estate housing area, amenities carried on being provided for the mainly elderly residents.
Some images of the former Newington Lodge, c.1969 from Southwark Archives
Back to that Index card
The last warden of Newington Lodge was Mr R Morley and it was under his management that approval for a film about the residents at the Lodge was made in 1968 by John Goldschmidt. My Little Grey Home in the West would be exhibited at the National Film Theatre and Royal College of Arts the same year to critical acclaim. By the following year the number of residents at Newington Lodge was around 272. They were transferred to various sites including the new Livesey old people’s home and by 17June the last residents were moved out, leaving the former workhouse empty after 117 years. On 31July 1969, Councillor Mrs L N Brown, Mayor of Southwark removed the first brick from Newington Lodge, beginning its demolition.
Sadly, the copy of the film purchased by the social services department in 1969 could not be traced, but knowing how important it was to have a copy for the borough, particularly given the year it was made, shortly before its demolition, I decided to contact Mr John Goldschmidt directly and the rest is history (sorry) as they say.
I put the British Film Institute in touch with John who, as a true professional, had safely stored both the original negative and soundtrack. Arrangements were made thereafter to digitise the film with the BFI and a DVD copy was donated to Southwark Archives. We thank both John and the BFI and of course, my ex-colleague Steve who showed me the index card with the title of the film on it.
The film is available to view within the archive for privatenresearch purposes and it is hoped that one day it will be available on BFI player.
Much of the research for this blog comes from A History of Newington Lodge 1849 – 1969 written in 1970 by Mr B G Morley of Southwark Council’s welfare department. We owe a debt of gratitude for the research he undertook.
Living in the Shadows, Southwark News, 7 July 2005
Southwark Civic News, No.9 October 1969
Grim Realities – a Model Workhouse, by James Greenwood (copy of essay, Pamphlets collection ref. 362.51)
Dr. Cecil Belfield Clarke was born in Barbados in 1894 and on winning an island scholarship came to London in 1914 to study medicine. In 1918 he graduated from Cambridge University, became a qualified surgeon and then set up his medical practice at 112 Newington Causeway, Southwark. He worked as a doctor, serving the local community for over 40 years and London for over 50. During that time he served as a doctor and medical professional in Africa, the Caribbean and throughout the UK.
Clarke was one of the founder members of the League of Coloured Peoples (LCP) which began in 1931. The organisation was set up to achieve a number of objectives with a focus on racial equality and civil rights for Black people in Great Britain. Clarke was an active member but was also associated with other Pan-African causes, including as the first chairman of the House Committee of Aggrey House, a hostel for students from Africa and the Caribbean. Clarke was diplomatic and this enabled him to be an effective communicator between the politically left and right of the Pan-African movements of the 1930s and 40s, so much so that he was a mediator during the planning for the Conference on the African Peoples, Democracy, and World Peace held in London in July 1939.
Clarke hosted many LCP events at his home and was a good friend of author and American civil rights activist W.E.B. Du Bois, with whom he continued correspondence right up to the 1960s, supporting many of his civil rights causes. Many of Dr Clarke’s letters to Du Bois can be read at the Special Collections and University Archives, at the University of Massachusetts Amhurst. The letters reveal the great affection and respect Clarke had for Du Bois and the importance of continuing the civil rights message. In one such letter dated 4th July 1929, Dr Clarke encloses his annual subscription to The Crisis magazine which he felt was his “duty” as “one of the few coloured Drs practising in London”. He kept the magazine in his doctor’s surgery waiting room and it proved to be a popular read. The Crisis is the official magazine for the National Association for the Advancement of Colored People (NAACP) co-founded by W.E.B Du Bois and is still operating.
What may be little known about Dr Clarke is that he formulated the early mathematical dosage for paediatric medicine known as ‘Clark’s rule’. He was the first black District Medical Officer for London in 1936 and the Belfield Clark Prize, which first began in 1952 at St Catharine’s College, Oxford is still awarded to students in Biological Natural Sciences Tripos examinations.
Special Collections and University Archives, University of Massachusetts Amherst Libraries
The Keys magazine (Southwark Local History Library and Archive).
Matera, M., Black London: the Imperial Metropolis and Decolonization in the 20th Century, 1st ed., University of California Press, Oakland, California, 2015.
For this week’s archives keep fit regime, we thought it was time to feature some more pictures from the fabulous Phil Polglaze collection. Phil worked as a photographer for the borough in the 1980s and 1990s covering local events for the Southwark Sparrow newspaper and the council’s Leisure department. These pictures show Southwark residents in their finest Lycra taking part in fitness and aerobics events at Peckham Leisure Centre, Elephant and Castle and elsewhere. Most of the images have never been published or seen before and Southwark Archives has been working with Phil to digitise his collection. We hope to feature more of his photographs in the coming months, but in the meantime check out the selection below for exercise inspiration!
by Walworth Heritage Action Zone Project Manager, Stephanie Ostrich
Heritage Action Zones are a national initiative launched by Historic England in 2017 with the aim to unlock the power in England’s historic environment to create economic growth and improve quality of life in villages, towns and cities. Walworth has a hugely rich history and the Heritage Action Zone is an opportunity to celebrate the unique historic character of this urban village and has the potential to make greater use of its heritage to support the social, economic and environmental needs of the area. The Walworth HAZ was announced in November 2017 and was the first in inner London.
The Walworth Heritage Action Zone (HAZ) is a five-year partnership running until 2023, overseen by the London Borough of Southwark and Historic England. The project is largely funded with grants from Historic England and Southwark Council, with significant contributions from the Walworth Society. Other partners include Southwark and Lambeth Archaeological Excavation Committee (SLAEC), Museum of London, Creation Trust, London South Bank University, Lendlease and Notting Hill Genesis.
The Walworth HAZ is an opportunity to deliver a variety of research, community, conservation and improvement projects with a single vision. The project aims to protect the special character and social vitality of Walworth, to proactively manage and enhance its unique heritage assets and put heritage at the heart of delivering sustainable growth. We will be working with local people and partners to breathe new life into old places that are rich in heritage and full of promise – unlocking their potential and making them more attractive to residents, businesses and tourists. Projects we will deliver include drafting management guidance and seeking funding to invest in improvements to historic buildings and public realm, participating in community exhibitions and events like the Walworth History Festival, running training workshops for community members and our partners, and establishing a South London Young Archaeologists Club.
by Walworth Heritage Action Zone Project Manager, Stephanie Ostrich
The Thames winds through the heart of London, fed by its many tributaries, streams and brooks. Though we cannot see many of these rivers today, they still flow beneath our homes, our streets, and our feet. They also leave tantalising traces on the surface that hint at the rushing ‘lost river’ below.
Our intrepid explorers began at the Camberwell Road entrance at Burgess Park: the former terminus of the old Grand Surrey Canal. The canal, built in the early 1800s, was a bustling hub of industry, moving goods from the factories and workshops of Walworth, Camberwell and Peckham to the docks at what is today Surrey Quays; it also ran parallel to the Earls’ Sluice and was our first clue on our search for our lost river. The canal was infilled in the 1970s, and now is highlighted by the straight path running through the centre of Burgess Park.
The Earl’s Sluice once flowed as a river through the fields and marshes of south London; this natural feature made an excellent landmark and acted as a boundary along its length for several parishes and boroughs and was also the county boundary between Surrey and Kent. Another clue to its existence beneath our feet was found as we walked one street up, to Boundary Lane. Road names can be excellent clues to what once was here before.
Figure 2. The Earls’ Sluice once formed the boundary between several parishes and even counties. When the river was covered over, it became a street called Boundary Lane which is still the boundary between Camberwell and Walworth and the postcodes SE17 and SE5.
Up until the 18th century, when Walworth and the Old Kent Road were small villages surrounded by fields and orchards, the river flowed under a bridge at the Walworth Road/Camberwell Road here and turned east to the Thames. It then flowed under another bridge at Old Kent Road. This area was called ‘St Thomas a Watering,’ an important spot on the medieval pilgrimage route from Southwark to Canterbury, made in honour of Thomas a Becket. It is also the first stop of the travellers in Chaucer’s Canterbury Tales where they draw lots to decide who will tell the first tale on their journey, while their horses have a refreshing drink in the Earl’s Sluice. At a site near this spot stands a former pub and boxing hall called St Thomas a Becket – now a Vietnamese restaurant. The pub sign for St Thomas a Becket is still there, a memory of what was once here all those years ago.
Figure 3. Rocque’s map of 1761 shows bridges crossing the Earl’s sluice south of Walworth village and over the Old Kent Road at ‘St Thos Watering’s’
We walked east along Albany Road in search of more clues of the Earl’s Sluice. In the past, Londoners did not think about littering in the same way as we do today. An easy way of disposing of rubbish – and of poo – was to dump it into the nearby river which would wash it out to sea. Unfortunately years of this meant our rivers eventually became open sewers! By the 1830s and 40s much of the Earls’ Sluice was culverted – covered over with bricks – which was more sanitary and also meant the land could be used for building houses over it. In 1858, a very hot summer made the Thames, which was full of sewage, smell terrible! This became known as ‘The Big Stink’ and because of this, Victorian engineers like Joseph Bazelgette were hired to build large purpose-built sewers across London; this included our Earl’s Sluice, which because diverted into the Earl Main Sewer.
Figure 4. The Earl’s sluice is still open in 1832, running alongside Albany Road, in the bottom left corner of the map, (1832 Plan of London from the United Kingdom Newspaper)
Figure 5. By 1840, the Earl’s Sluice west of the Old Kent Road, under what is now the Aylesbury Estate, has disappeared underground (1840 Plan of London from the United Kingdom Newspaper 2nd ed)
So our poor Earls’ Sluice became a stinky sewer in the 19th century, but luckily for us the Victorian engineers left us some more clues to follow on our journey to the Thames. Large, green and functional, these stinkpipes jut out high above the street level and vent gas from the sewer below high into the air far away from our noses. As we walked along Albany Road, crossed Old Kent Road to Rolls Road, and turned onto Rotherhithe New Road and ventured to Surrey Quays we kept our eye out for this big green stinkpipes to make sure we were on the right track!
The Earl’s Sluice eventually joins the river Peck (from which Peckham gets its name) in South Bermondsey. We followed it as it flows under Eugenia Road and Concorde Way, which is still a boundary between Southwark and Lewisham. At Oldfield Grove, we got a closer look at the Earl’s Sluice as it crosses over the railway line here in an unassuming pipe.
We carefully ventured onto Plough Way, which was once known as Rogues Lane! Here off a side alley, we inspected two manhole covers. According to Tom Bolton, after rainy weather, you may hear the Earl’s Sluice rushing through the drains these cover.
Figure 10. In 1761, the Surrey Quays area was still open fields, with only one dock. The Earl’s Sluice ran next to Rogue Lane (now Plough Lane) flowing into the Thames near ‘The New Dock’
Our walk concluded at the South Dock, where the Earl’s Sluice meets the Thames. There is still a sewer outlet here on the foreshore of the Thames. Unfortunately we arrived at our destination 15 minutes before high tide so we could not inspect it ourselves. But it’s given us an excuse to return to the Earl’s Sluice in the future!
For as long as I can remember, I’ve loved watching films. As a young girl I went to Saturday morning pictures at the Odeon Cinema in Elephant and Castle. The noise of the young excited audience was deafening, but somehow you managed to work out the plot of some cowboy and Indian film or ‘Lardy Hardy’ flick (my childhood translation of Laurel and Hardy) amongst the pea shooters, sticky gum and chanting. Cinema-going up the West End was rare and only if you were flush. So I tended to stay local, and between Peckham and the Elephant my enthusiasm for watching films was satisfied.
Camberwell Odeon, Denmark Hill, 1955
Films have stood the test of time and, if seen in the cinema or as another type of theatrical screening, this medium is perhaps the only one where you cannot really rush it. You have to go at the film’s pace. You can’t swipe, skip, delete, forward, select or delete sections. You have to sit, wait and watch a film that will either have wasted your money and the last 90 minutes of your life, or will have completely immersed you in it, left you in awe, questioning, wondering and may even have rocked you, just a little. Whether you like or dislike a film, it has the power to change your emotions and awaken your senses and for some, bring to life memories and thoughts that were buried.
The first reminiscence session I organised using films from the Film Collection at Southwark Local History Library and Archive was in May 2017 at Camberwell Library, with the help of Storm Patterson, Screen Heritage Archivist from London’s Screen Archives. I was keen to organise a reminiscence session, having attended the LSA’s conference on using film as reminiscence in 2016. I did so, and just three people attended. Initially, I was disappointed. I’d done my preparations, choosing a suitable location, risk assessing, getting the signage just right, ensuring the refreshments were laid out and publicising the event as best I could. Storm provided a compilation of films and I provided a range of photographs on different themes relating to the Southwark area. So, where was everyone?
As well as having Storm from London’s Screen Archives, I was also lucky enough to have Anne Williams, volunteer with the Alzheimer’s Society with me that day. By observing Anne, I learned how to be person-centred when working with people with dementia. Anne patiently sat with a gentleman who watched the films and browsed the photographs and they struck up a beautiful conversation about his life and work. Anne recalled that experience:
“I will never forget an older gentleman at Camberwell library who had cared for his wife with dementia until her death. The screening of local cinema footage evoked strong and happy memories of a Friday night ritual with his mother when they would visit the pictures, enjoy the films and interval music and then share some fish and chips on the way home. He was moved to tears remembering this period of his childhood and I felt privileged to listen to his precious memories.” Anne Williams, volunteer, Alzheimer’s Society, 2018
Between us three helpers we went on life journeys with our three elderly guests who enjoyed looking at the visual memorabilia which sparked their memories. It got me thinking… what a wealth of knowledge and history we have in this room! It was Anne who reminded me that it was quality not quantity that mattered and wondered whether our guests or we, as helpers, would have got the quality of conversation and engagement had more people been there.
I learned a great deal from that experience, not least that ‘outreach’ means what it says – you must reach out, and certainly when working with people with dementia, being respectful of their physical and emotional needs is crucial in organising any event for them. So, one way I could achieve this was by reaching out to my audience and going to places where they are most comfortable.
In 2018 I had the pleasure of collaborating on many outreach events with local and other organisations as well as a local Nunhead artist, using films and photographs from Southwark Local History Library and Archive. I have worked with the Alzheimer’s Society delivering reminiscence sessions at their coffee and drop-in sessions at Time and Talents in Rotherhithe and at the Daffodil Café at The Green, Nunhead’s Community Centre. The people with dementia and their carers enjoyed watching the films (a selection of Bermondsey Borough Council and other local films) judging by the conversations that followed.
Memories were triggered about particular places featured in the films. The groups wanted to talk about their lives and how they remembered those places and share stories. I remember a conversation that started about East Street Market between a lady who was born in Jamaica and another who was born in Cyprus, both of whom had lived in Southwark for much of their lives. Neither was engaged in any conversation before the photographs of the market from the 1970s were passed around. “Do you remember the Sarsaparilla stall?” I asked them. Both studied the photographs in silence and then, their expressions changed. “Ahh, yes!…” they said and from that moment the two were sharing memories. I couldn’t get another word in after that, nor did I want to. It was so interesting listening to them and how they remembered East Street Market, especially the particular stalls.
“Thank you so much for taking the time to attend the Daffodil cafe today. Both the film made by the school children from the Walworth school and the hop picking film were ideal choices for our service users. They were engrossed in the plot of the first film as well as enjoying recognising local landmarks around Burgess Park. For people unable to get to the cinema it was a unique opportunity to watch a relevant and suitably short film programme.” Anne Williams, volunteer, Alzheimer’s Society, 2018
Being person-centred means putting the person at the heart of what you do. The preparation I do for the sessions involves asking the co-ordinator of the group to give me some information about the users – where they lived and when, what they did as jobs and what they would be interested in seeing again. Research into reminiscence sessions has taught me that just because someone lived through the Second World War doesn’t mean they want to be reminded of it! So, there are certain subjects I tend to avoid and I take my cue from those who know. It does help, however, if you know a little history about some of the resources you are handing out, as this too can start conversations and engage people.
That said, even if you know a little about your subject, it doesn’t necessarily mean you always get to say anything on the subject. I have also delivered reminiscence sessions at Blackfriars Settlement. These were very lively events, particularly during the film screenings where the audience would get a running commentary from one or two knowledgeable members of the audience. “That was where Peak Freans was, my mum worked there”, “That was the Town Hall”, “That’s Tower Bridge Road Market!” “You see all those trees, Ada Salter was responsible for those…” and so it went on. The knowledge of the audience was amazing and to be perfectly honest the audience answered many questions that I’d wondered about myself! Wonderful!
“What a great afternoon. Thank you so much. I love when my members get taken back to their yester years. It was magic. And, I thought the Children also learned a lot . On our tables, they couldn’t believe how Walworth Road looked before. They loved listening to stories. And the little singalong was an added bonus….Alice who is 97 in August and Veronica who is 92, were so happy talking about the good old days and looking at photos and the film. We should do this more often.”
Tina Johnston, Co-ordinator for Positive Ageing, Blackfriars Settlement, 2018
By the end of these sessions, groups of people would be reminiscing together, sharing photographs, sharing memories, laughing and singing. The atmosphere in the room was a completely different one by the time the session ended.
At one session, Tina Johnston, co-ordinator for Positive Ageing at Blackfriars Settlement arranged for a group of children from the local secondary school to join the reminiscence session. They were looking at photographs of the areas they lived in from 50 or more years ago. “That’s what the Elephant and Castle looked like over 100 years ago”, I said to one totally disinterested pupil. He glanced at the photograph, raised his eyebrows and said “Is it?” and proceeded to look through all of the photographs in silence and in awe. The banter between the older people and the school children was fantastic and both enjoyed each other’s company. Intergenerational reminiscing is a fantastic way to teach history to children.
For Black History Month this year, we invited Nunhead artist and co-founder of Women in Film SE15, Tracey Francis, to talk about her career as an artist and present two of her films – ‘Peckham Wall’ and ‘Landscapes of Girlhood’.
Watching ‘Landscapes of Girlhood’ was one of those times when my senses were awoken. This short but moving film, which gives a voice to 5 girls with learning difficulties left me and the audience quiet and reflective and the young people in the audience asked questions about how they might do what Tracey did. This is how you inspire, I thought.
Tracey Francis presents her films at John Harvard Library for Black History Month 2018
My most recent collaboration was with LinkAge Southwark where, with the help of Catrin Waugh and her volunteers, we delivered a reminiscence session on the Kingswood Estate, using photographs and film to a very astute group of pensioners whose questions were coming in thick and fast. (I think I managed to answer most questions with the help of one or two local history books I shrewdly brought along – phew!) The group were engaged in conversations around different themes, remembering cinemas, parks and markets and the film compilation finished off the session nostalgically. The group were a real pleasure to be with.
Reminiscence session for the pensioners of LinkAge Southwark, Kingswood Estate November 2018. Photo courtesy of LinkAge Southwark / Catrin Waugh
The Film Collection at Southwark Local History Library and Archive is a fast growing one, now with around 215 titles, originating from different film and video formats on a variety of themes. Included in it are information films that were made by the Bermondsey Borough Council from the 1920s to the 1940s, Southwark Council commissioned films from the 1970s to the 1990s on a variety of themes (e.g. redevelopment of Surrey Docks in the 1970s, Elephant and Castle shopping Centre, elections etc), amateur films by cine enthusiasts like Brian Waterman and Richard Morgan, makers of the Brandon Estate Cine Club films, copies of broadcast television programmes and community films such as Tracey Francis’s.
All 215 titles are available to view on DVD free of charge within the archive during opening hours. All of the original film and video that is owned by Southwark Council (around 60 titles) has been digitised and is available to view online via London’s Screen Archives and its YouTube channel. London Screen Archives is the virtual hub for the film collections of London’s archive repositories.
We are continually collecting films significant to the story of Southwark. So, if you have a film that you would like to deposit with us, get in touch. For details of all the titles available to view, visit our website or contact Southwark Local History Library and Archive on 020 7525 0232 or email firstname.lastname@example.org.
I would like to thank the following people and organisations for helping me to deliver reminiscence and other outreach sessions from the Southwark collections in 2018. I (and my colleagues with whom I share knowledge) have learned much from you and the outstanding work you do: Anne Williams, Sheena Ogilvie and Chloe Pardell from the Alzheimer’s Society, Caroline Clipson from Southwark Dementia Action Alliance, Tina Johnston and staff at the Blackfriars Community Centre, all the staff at The Green, Nunhead Community Centre, staff at Time and Talents, Rotherhithe, Sands Films Studios, Tracey Francis, Catrin Waugh and Gemma Kern from LinkAge Southwark.
Of course a big shout out to my colleagues, Patricia Dark, Chris Scales and Lisa Moss at Southwark Local History Library and Archive for their help and support. I look forward to future collaborations.
The Old Kent Road has been an important thoroughfare since Roman times, connecting London to Canterbury and Dover. This short tour from Burgess Park towards Elephant and Castle takes in some Mayflower connections and a link to some much earlier pilgrims.
St Thomas-A-Watering, Old Kent Road
St Thomas-a-Watering is a very significant site in Southwark’s history, but it is easily overlooked amid the hustle and bustle of the junction of Albany Road with Old Kent Road. It was at this spot that pilgrims travelling from St Mary Overie (a predecessor of Southwark Cathedral) to the shrine of Thomas a Becket in Canterbury made their first stop to water their horses and take refreshment. The pond in Burgess Park was said to be where Chaucer’s Pilgrims took their horses for a drink.
St Thomas-A-Watering represented the southern boundary of the parish of St George the Martyr and as such also represented the limit of the City of London’s jurisdiction in Surrey. Once a year, the Lord Mayor and Sheriffs of the City of London rode in procession, all wearing scarlet gowns, over London Bridge to open Southwark Fair and to inspect the City’s boundaries at St Thomas a Watering. There is a plaque inlaid into the nearby former fire station that marks this spot.
The Mayflower connection comes from protestant martyr John Penry, who was executed here on 29th May 1593. His body was hung on a gibbet on the Old Kent Road. Some regard Penry, a Welshman, as the true founder of the Brownists, not Robert Browne. Penry sent a letter from the King’s Bench Prison, dated 24th April 1593, advising his followers to consider emigration. This is the start of the Pilgrims’ journey, first to Holland and then to America.
Plaque marking the southern limit of the City of London’s jurisdiction
Bricklayers Arms Roundabout, New Kent Road
The Pilgrim Fathers Memorial Church, which originally stood at Deadman’s Place in Bankside was relocated in 1864 to Buckenham Square, close to this site. Its gardens were named the Mayflower Gardens and contained a memorial to the ship; a sundial set on a large stone with a panel depicting the Mayflower on one side. When the Bricklayers Arms flyover was built in the 1970s there was much disruption. The Pilgrim church moved to Great Dover Street but Mayflower Gardens was left behind, complete with its monument. St Saviour’s & St Olave’s School for Girls was built close by, and the memorial is now inside.
St Mary Newington Church, Newington Butts
The original site of this church is now occupied by a park on the west side of Newington Butts. Thomas Gataker was Rector here from 1584 to 1593 before he became Rector of St Mary Rotherhithe. Later, Thomas Wadsworth was Rector, as well as being Pastor of the Pilgrim church. Nearby “Newington woodes” was recorded as the site of the arrests of some of Browne’s followers.
Voting has opened for this year’s Southwark Heritage Association Blue Plaques scheme. There are seven worthy nominees, of which only one will get a plaque this year. But who are they and why should they get your vote?
Voting has opened for this year’s Southwark Heritage Association Blue Plaques scheme. There are seven worthy nominees, of which only one will get a plaque this year. But who are they and why should they get your vote? To help you decide we’ll be featuring one nominee per week over the next 7 weeks of voting.
This week, read on to discover more about Thomas Middleton.
Thomas Middleton (1580 –1627) was a prolific playwright and poet. T.S. Eliot described him as ‘second only to Shakespeare’, but he has not always been given the credit that he deserves. Until relatively recently Middleton’s play, The Revenger’s Tragedy was thought to have been written by his contemporary, Cyril Tourneur. Modern analysis of the style and language has dispelled this myth. More recently, evidence has emerged that Middleton was the co-author of All’s Well That Ends Well with William Shakespeare. His work continues to fascinate and surprise researchers in the field of Jacobean theatre.
Middleton was born in the City of London in 1580 and moved to Newington Butts sometime between 1603 and 1608, soon after his marriage. His new home was near the theatres of Southwark and far enough away from London to avoid a recent outbreak of the plague. His time in Newington was very productive. In addition to his writing he took on the role of City Chronologer (a position that was something like the City of London’s official historian) and for a time he was also responsible for producing the Lord Mayor’s shows.
The biggest success of Middleton’s career was his play, A Game of Chess, which was performed by the King’s Men at the Globe Theatre for nine consecutive days in 1624. It would have gone on even longer but closed in response to a complaint by the Spanish ambassador. In fact, its allegorical portrayal of party politics upset quite a few people and Middleton had to go into hiding. His son Edward was arrested and brought before the Privy Council. Middleton himself was held for a time in the Fleet prison.
Middleton died in 1627, probably in somewhat reduced circumstance, having lost his position with the City of London. He was buried in the churchyard of St Mary Newington.
St Mary’s Churchyard before redevelopment
A talented playwright with a rebellious side who gave Shakespeare a run for his money. Walworth should be proud! Will you #VoteThomasMiddleton?
Voting ends on 15 September 2017. You can vote by emailing Southwark Heritage Association: email@example.com or the Southwark News: firstname.lastname@example.org. You can also vote in person at all Southwark libraries and at both the Mayflower, Rotherhithe Street and Half Moon, Herne Hill.